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Pages:
11 pages/≈3025 words
Sources:
3 Sources
Style:
MLA
Subject:
Literature & Language
Type:
Term Paper
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 47.52
Topic:

Hawks’ Schema of Filmography and Cinematic

Term Paper Instructions:

Please rewrite the previous two paper (paper 2 and paper 3) and work them into a full and coherent ten-page (at least 3000 words, should be around 3000 - 3300) analysis of your chosen film (based on “Scarface”, Howard Hawks, 1932)). What is significant thematically or stylistically about your film? How does it fit into the Hawkesian corpus and what role does it have there? Is it typical or atypical of Hawks – and how?
(1) MLA Citation
(2) 10 ten-page essay (min 3000 words), citation not included in this ten-page range.
(3) Be specific and thoughtful, it should be a detailed analysis of the “Scarface”. Don’t just describe, use evidence and your own critical thinking,
Expanding Paper Four Possible Ideas:
1. Introduction: How does your film fit into the schema of Hawks’s filmography. Is it a remake? Western? Screwball? What makes it different ?
2. Introduction: Why do you approach the film through your chosen methodology and what does it tell us about your argument (Feminist, Marxist, Historical, Gender, Music/Sound, Production).
3. Body Paragraph: Second / Comparative Scene.
4. Conclusion: What is the legacy of your film? Can you trace an influence on contemporary Hollywood cinema?
FYI:
Write about Hawks’ version of the Scarface. Make sure the film that you are writing about is 1932 version of Scarface by director Howard Hawks, not the new one in 80s!!!!
Here below I have attached paper 2 and paper 3 with professor’s comments, please check. Thank you!
Looking forward to a wonderful essay! This is my final paper! Please help me get a good grade as second paper you wrote! Thank you very much!

Term Paper Sample Content Preview:
Name
Professor
Course
Date
Analysis of Howard’s Scarface (1932)
Plot Overview
Scarface is one of the 21st Century films that depict themes relevant in contemporary society, particularly in history, education, and entertainment sectors. The movie is set in 1920s Chicago, and the protagonist, Tony, is an Italian migrant who uses violence to gain wealth and power. Tony and his boss, Jonny Lovo, are selling illegal liquor. Jonny orders Tony and Guino to attack the South gangs but warns them not to start a war with the Irish gangs under O’Hara’s leadership. The duo is involved in a shooting spree that kills several gang members, resulting in the death of innocent civilians. Tony also ignores Lovo’s directive and attacks and shoots O’Hara alongside some gang members. The sounds used in the film include screams, gunshots, human conversations, and music to bring the movie to life. The film utilizes a feminist perspective to elaborate on the role of individuals in society. Howard uses sound effects, camera movements, filming, actors’ body movement, characterization to enhance visual and auditory storytelling to bring out various themes throughout the movie.
Hawks’ Schema of Filmography and Cinematic
Scarface was released in 1932 when the film industry was undergoing a significant transition from the silent era film. The silent films were majorly produced between 1894 and 1929 (Kracauer 35). The film informs the viewers of the director’s quest to use sound to enhance the process of storytelling. However, Hawks did not synchronize sound and audio in this era because the technology was not yet advanced. Synchronizing audio and motion pictures was a daunting task in the 1930s because of a lack of efficient technologies. For instance, in the nightclub scene at “Paradise Dining and Dancing,” where Tony’s Younger sister dances to the music played at the club, her moves are not effectively synchronized to the music. The characters’ mouth movements do not match their words as they speak.
On some occasions, the sounds of gunshots were heard before a gun was fired by its holder. Images were filmed and edited to convey a simple message to the audience. A script explaining the successive shots was then placed between frames and scenes explaining the action. Scarface had been produced three years into the early sound film era that involved synchronizing images and the characters’ voices. Scarface was among the first films in the sound era to set the production tone for other films. Auditory storytelling using synchronized films and audio remains integral to filmmaking in Hollywood and other contemporary movie industries.
The use of sound in films profoundly impacted and transformed the film industry in the 1930s. Howard Hawks directed and produced silent films between 1925 and 1929. His two films, Honesty – The Best Policy (1926) and Underworld (1927), are among the first two films to address the issue of organized crimes and gangs. However, the popular gangster films are comprised of silent motion pictures. Scarface attracted more attention because it utilized moving images and sound, unlike its predecessors. Many people became interested in wat...
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