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Pages:
2 pages/≈550 words
Sources:
3 Sources
Style:
MLA
Subject:
History
Type:
Essay
Language:
English (U.S.)
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MS Word
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$ 7.2
Topic:

Adolf Loos' Work and His Analysis of Society

Essay Instructions:

(In 2 paragraphs)
Ornament and Crime. In his essay “Ornament and Crime” of 1908, Adolf Loos equated the elimination of ornament from useful everyday objects with a cultural evolution, supposedly leading to the abolition of waste and superficiality. Summarize some of Loos’s arguments for restricting the use of ornament. In what ways was his position Eurocentric and/or racist? Finally, consider Loos’s theory of ornament in relation to his architectural work, for example the Villa Müller in Prague (1930) and/or the unbuilt house for Josephine Baker (1927) discussed by Mario Gooden. Are there aspects of Loos’s design work which reflect, or perhaps contradict/complicate, his written arguments?
(in a well-developed essay of 3-5 paragraphs)
Housing/Houses. Much of our semester was devoted to thinking about housing. From the list below, pick one private house and compare it to two mass housing projects (a total of three projects). How would you compare the work to establish mass housing (and the ideas of functionalism, low cost housing, urban planning, and zoning that accompanied them) to the designs for the interiors and exteriors of houses built for individual private clients? What kinds of relationships between public and private, and between landscape and built form, did architects organize in relationship to this? How were both materials and the environment/natural world understood differently in various projects? What new forms of domestic life, or ideas about “modern” living and “modern” people, did architects promote? [3HH]
Private Houses
 Eileen Gray and Jean Badovici, E-1027, Roqueburne-Cap-Martin, France, 1926-1929
 Horiguchi Sutemi, Soshokyo House (Double-Bell House), Tokyo, 1927
 R. M. Schindler, Lovell Health House, CA, 1927-29
 Le Corbusier, Villa Savoye, Poissy-sur-Seine, France, 1928–1933
 Juan O’Gorman, Frida Kahlo & Diego Rivera Studio-Houses, Mexico City, 1931-1932
 Amaza Lee Meredith, Azurest South
 Gerrit Rietveld and Truus Schröder, Schröder House, Utrecht, 1924
 Adolf Loos, Villa Müller, Prague, 1930
Mass Housing Projects
 Moisei Ginzburg, Narkomfin Housing Project, Moscow, 1928-1930
 Hermann Jansen, Bahcelievler Housing Cooperative, Ankara, 1936
 Ernst May, Siedlung Römerstadt, Frankfurt, 1927–1928
 Bruno Taut, Siedlung Britz (Horseshoe Settlement), Berlin, 1925-1927
 Le Corbusier, Unité d'Habitation, Marseille, 1947-1952

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Argumentative Essay
Introduction
Rather than characterizing a standard account of an avant-garde way of life, an examination into the part of self- portrayal in Loos's life-story contrasts modernist rudiments with a customary account of increasing movement in a status culture. A glimpse at Loos's memoir implies that his opinion as modernist and member of the European avant-garde is disproved by his initial familiarities of fortifying overviews into noble culture. Though, prevailing explanations of Loos's existence and occupation have often flopped to pay consideration to this contradictory foundation for his creation, aiming on his self- decreed 'modernity' to the impairment of an analysis into his 'traditionalism'. The current study, signifies an endeavour to speak to this defect and to reach the inconsistent nature of Loos's written creations. Its attention, as detailed, is on Loos's analysis of society restricted in his articles and addresses
One of the key subjects challenging such humanistic urban investigation is to decide the significance and position of the metropolitan in the progress of modernism. The connection among city and modernism can barely be overstressed. In spite of this linking the urban has seldom been the issue of certain concentration and study on the role of the people and the social disciplines. One exemption to the comparative absence of scholarly and academic relevance in the metropolitan as a social and ethnic place is discovered in the period amid the two world wars. Both contemporary architecture and surrealism described themselves by means of their association to the urban. A number of scholars, too, made the city the core of their ethical deliberations and social censure, which, even currently, can stand as instances of how the urban as a argument can help intensify social consciousness of one’s period as well as r...
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