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Literature & Language
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Gender in "Faster Pussycat, Kill, Kill." and "The Female Man" Essay (Essay Sample)


Write an essay on any TWO of the following works (play, film, novel chapter)
based on the theme of the unconventional and thus potentially treacherous
woman. Why is the bar for what constitutes a monster so low when it comes to
the female version of one? Why is any sign of autonomy, free will, or
non-cooperation considered a dangerous form of antagonism in any male-female or
master-servant relationship in these works?
Faster Pussycat, Kill, Kill. Film directed by Russ Meyer (1965).
?The Female Man: Part One.? From the novel by Joanna Russ (1975).
The Maids. Drama by Jean Genet (1947).
There are a number of female parts in each of these works, though you might
consider focusing?in The Female Man?on Janet Evason as the most unusual female
character, having recently arrived on Earth in 1969 from the future; or on
either Claire or Solange in The Maids as both seem alike (they are sisters),
though Claire usually mimics the role of Madame and ends up drinking the
drugged tea at the end, implying a suicide; or finally, on Varla (played by
Tura Satana) in Faster Pussycat, Kill, Kill, as there?s obviously no contest
which female character is the strongest, though the others (Rosie and Billie)
provide interesting foils for her.
I want to see an essay of about 500 words (about two typed double-spaced pages)
returned to me by email.


Gender in “Faster Pussycat, Kill, Kill” and “The Female man”
“Faster Pussycat, Kill, Kill,” and “The Female Man” depicts the life of treacherous women; a trait that is unconventional in gender-driven society. The women in the novel and film realize that they are not normal ladies that other people want them to be. As a result, both Janet and Varla accept their sexuality though it is a period when lesbians were stigmatized and women lived in the shadows of men.
Women as monsters
The very definition of a monster is a large, ugly, and frightening imaginary creature. However, in “Faster Pussycat, Kill, Kill,” and “The Female man,” Janet and Varla are considered monsters yet their actions do not match the definition of a monster. Ideal, “Female Man” implies a world where women can live with freedom related to romance, marriage, feminine clothes, and appearance without being harshly judged. Such a setting contradicts the rules of a patriarchal society where all aspects of evil are inextricably linked to femininity.

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