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2 pages/≈550 words
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Style:
MLA
Subject:
Literature & Language
Type:
Essay
Language:
English (U.S.)
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Topic:

The Conception of Art Against Women

Essay Instructions:

FINAL IN-CLASS ESSAY
Write an essay on any TWO of the following works (play, film, novel chapter)
based on the theme of the unconventional and thus potentially treacherous
woman. Why is the bar for what constitutes a monster so low when it comes to
the female version of one? Why is any sign of autonomy, free will, or
non-cooperation considered a dangerous form of antagonism in any male-female or
master-servant relationship in these works?
Faster Pussycat, Kill, Kill. Film directed by Russ Meyer (1965).
?The Female Man: Part One.? From the novel by Joanna Russ (1975).
The Maids. Drama by Jean Genet (1947).
There are a number of female parts in each of these works, though you might
consider focusing?in The Female Man?on Janet Evason as the most unusual female
character, having recently arrived on Earth in 1969 from the future; or on
either Claire or Solange in The Maids as both seem alike (they are sisters),
though Claire usually mimics the role of Madame and ends up drinking the
drugged tea at the end, implying a suicide; or finally, on Varla (played by
Tura Satana) in Faster Pussycat, Kill, Kill, as there?s obviously no contest
which female character is the strongest, though the others (Rosie and Billie)
provide interesting foils for her.
I want to see an essay of about 500 words (about two typed double-spaced pages)
returned to me by email. You have until 6:00 PM on Thursday to turn in this
assignment. Late papers will be downgraded every hour after that deadline.
Anything turned in after 10 PM will not be credited. This assignment will
receive a letter grade.

Essay Sample Content Preview:
Your Name
Subject and Section
Professor’s Name
April 30, 2020
Final Essay
The conception of art was turned against women, in which they were usually portrayed as docile, weak, and obedient if not crazy. It is seen in the early works of art including film, plays, novels, among others.
As it seems, women in both the real world and fiction who are bold, feisty, and rather unconventional intimidate the whole fragile machismo that the patriarchy holds dearly. The following works to be discussed for this case are the film Faster Pussycat, Kill, Kill by Russ Mayer (1965) and The Maids, a drama by Jean Genet (1947).
In the film Faster Pussycat, Kill, Kill, the lead character Varla deviates from this antiquely-held conception previously mentioned. She portrayed strong, assertive, and devious woman who knows how to handle herself. This karate-going and scheming woman goes on a dangerous and mischievous adventure with her friends and ends up being dead after clashing with muscle heads and the typical top man.
The Maids contain poetic female characters, class warfare, and sexual politics. As for the The Maids, the rehearsal Solange and Claire in killing their mistress was their way to deal with how they are looked down upon and treated as scum.
Now, why is the bar for what constitutes a monster so low when it comes to the female version of ...
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