Sound Design Evolution in Films

Sound Design for Film (Question One)
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Sound Design for Film (Question One)
A good film entails a proper audio and video blend. One can evaluate this hypothesis through a historical analysis of the identified significant components of film production. A basic paralleling of contemporary films to the last century will register a sharp contrast between audio and video. Thus, historical analysis is needed for contextualizing the evolution of sound design.
A field of study is only as relevant as its influence on society. Interestingly, film production both defines the economy and shapes the culture. Estimates reveal that the industry is worth over a hundred billion dollars. These impressive figures necessitate continuous improvement of the sector as signified by the observed evolution in film production. Lopez et al. (2021) mainly track the development of the sound design from Enhanced Audio Description (EAD) and Traditional Audio Description (TAD).
Moreover, the industry raises enough money to finance research and guarantee innovative implementations. On cultural influence, film stars are some of the most celebrated and idolized members of society. It is debatable whether the technicalities of film production directly determine this aspect. Nonetheless, the attracted attention to the industry naturally demands meticulousness. Batten and Smith’s (2018) psychological inclinations have guided the advancements in sound design. This proposed research aims to acknowledge the film industry’s significance and explore its vital aspect of production. The course curriculum provides elementary knowledge on the subject that further exploration.
Several authorities in the field have committed to exhaustive research of the relevant concepts. The endeavors have guaranteed surplus scholarly resources on the topic. This paper fosters an existent intellectual spirit that warrants sustenance. The proposed research diligently reviews the published scholarly works and collates them into an objective and engaging analysis.
Annotated Bibliography
Batten, J. and Smith, Tim J. (2018). Looking at sound: Sound design and the audiovisual influences on gaze. In: Dwyer, T. and Perkins, C. and Redmond, S. and Sita, J. (eds.) Seeing into screens: Eye tracking and the moving image. London, UK: Bloomsbury Publishing. ISBN 9781501329029.
The topic researched by Batten and Smith is well-scoped such that it precisely elucidates the essence of sound design in the film industry. Its analysis occurs from the listener’s perspective. Ultimately, the goal of sound design is not a blind modulation of audios but rather a purposeful induction of a desirable effect on the audience. Predictably, the research paper invokes a lot of psychological concepts. The scholars define their approach as the “perspective of experimental cognitive psychology” (Batten & Smith, 2018). Therefore, the paper includes experiential studies in which some filmmakers have claimed to influence the viewers’ perceptio...