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Pages:
2 pages/β‰ˆ550 words
Sources:
10 Sources
Style:
APA
Subject:
History
Type:
Research Paper
Language:
English (U.S.)
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MS Word
Date:
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Topic:

The Construction and Usage of Harpsichord in the Baroque Era

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draft version of opening paragraph and bibliography of research topic: The construction and usage of harpsichord in baroque era.

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The Construction and Usage of Harpsichord in the Baroque Era
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Opening Paragraph
The harpsichord, a major keyboard instrument during the Baroque era, was primarily employed to give baroque ensembles a distinctive tone. Western European arts included music, painting, sculpture, decorative arts, and architecture. Despite the emergence of new musical genres like opera, concerto, and sonata throughout the baroque era, harpsichord use caused instrumental music to flourish more than music performed without instruments. Resultantly, the need to develop a method of mechanically plucking strings under the keyboard's control led to the invention of the harpsichord.
Annotated Bibliography
Koster, J. (2019). History and Construction of the Harpsichord. In M. Kroll (Ed.), The Cambridge Companion to the Harpsichord (Cambridge Companions to Music, pp. 2-30). Cambridge: Cambridge University Press. doi:10. 1017/9781316659359.003
John Koster wrote the article "History and building of the Harpsichord." In the year 2019, Cambridge University Press released it. Koster details the historical events that influenced the harpsichord’s creation. They involve the late-medieval origins, which started with the Renaissance, the Baroque, the Classical Era, and the Revival, which form the history when various instruments, including virginals, harpsichords, and spinets, were employed. According to the article, the harpsichord was primarily used during the baroque era to modify and enhance fundamental musical structures.
Zhu, J. (2017). Music from the Harpsichord House.
"Music from the Harpsichord House" was written by Julie Zhu. Music from the Harpsichord House comprises various performances existing in binary. A harpsichordist's visage is live-projected outside and concealed inside the house during performances. Fifteen brand-new musical works are then commissioned for the harpsichord house.
Schott, H. (2002). Playing the harpsichord. Courier Corporation
Howard Scott is the author of Playing the Harpsichord. The book discusses the harpsichord's essentials, including the materials used to construct it, some crucial facts about the instrument, musical techniques, and the harpsichord's enormous classical and modern repertoire.
Kottick, E. L., Marshall, K. D., & Hendrickson, T. J. (1991). The acoustics of the harpsichord. Scientific American, 264(2), 110-115
The authors of "The Acoustics of the Harpsichord" were Kottick, Marshall, and Hendrickson. They discuss some of the harpsichord's distinctive qualities. It created different sounds with its plucked strings' loud and gentle variations. Therefore, it outperformed the piano and gained musical superiority throughout Baroque performances.
Wapnick, J., Keech, K., & Ryan, G. (2012). Preferences for piano versus harpsichord performances in Renaissance and Baroque keyboard music. Psychology of Music, 40(1), 5-18.
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