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Literature & Language
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English (U.S.)
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Questions on The Dead, Hills Like White Elephants, and Happy Endings

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THE DEAD

PART 1

QUESTION 1

What cultural-political tensions simmer in the story and how do they relate to the personal crisis Gabriel wrestles with? 

How does the party amplify distinct conflicts at the time and place in which the story is set? Does the story itself take any political or ideological position/s? 

QUESTION 2

How would you describe the protagonist, Gabriel Conroy?  How does he see himself in relation to the other guests at his aunts' party? What happens to (his) consciousness at the end of the story?

What does Miss Ivors represent? 

What characters in this story might you like to see further developed as a protagonist in another story devoted to their viewpoint? 

PART 2

HILLS LIKE WHITE ELEPHANTS

QUESTION 1

Constituent Elements

Which constituent element is most important in this story by Hemingway?

QUESTION 2

Identify four possible outcomes. Which outcome would you most/least want to occur? Which outcome should occur? Which outcome is most likely?

QUESTION 3

What is "it," or in other words, what are they discussing?

HAPPY ENDINGS

PART 3

Question 1

This story isn't really a story so much as it is about the nature or theory of stories. But is it still interesting/engaging as a story? Do you become emotionally or intellectually engaged despite the lack of detail or structural abstraction? Or is it more a theoretical exercise that is so ironic that it is essentially an anti-story? 

Question 2

Do you find yourself sympathizing/empathizing/identifying with any of the characters in any one or more of the narrative options/versions Atwood provides?

What does this story say about the value of character development and what is its relationship to narrative authenticity?

Question 3

What does "Happy Endings" say about formulaic plot structure and narrative expectations?

Did you enjoy any of the alternatives to A more than A? 

Why is the death of John and Mary the only "authentic ending"? Aren't all stories necessarily fake? Why would we want or expect authenticity from stories? 

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Short Story Questions
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Short Story Questions
Part 1: The Dead
Question 1
The convergence of Irish nationalism and European cosmopolitanism in the story gives birth to cultural and political tensions. Gabriel's interior turmoil reflects this conflict as he grapples with the reconciliation of his Irish heritage with a European-influenced worldview that is more contemporary. The gathering is a microcosm in which these tensions are represented by multiple characters who each take on a unique stance (Joyce, n.d.). The tensions between tradition and progress are evident in the dialogues and exchanges, which reflect the more extensive societal concerns that characterized Dublin in the early 20th century. While refraining from explicitly expressing a political stance, the narrative insinuates the topic of Irish identity as cultural environments evolve.
Question 2
Gabriel Conroy is intelligent, sociable, and conflicted as he thinks of himself as more educated and elegant than the other visitors but feels disconnected and struggles to fit in. After the narrative, he realizes the weight of the past, the power of memories, and the inevitability of death, changing his awareness. Miss Ivors represents Irish nationalism and challenges Gabriel's identity by questioning his lack of Irish cultural renaissance. Other protagonists like Freddy Malins or Lily, the caretaker's daughter, might be explored in different tales. Freddy's drunkenness and Lily's guest relationships are fascinating and need more

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