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Essay Available:
Questions:
4 questions
Sources:
1 Source
Style:
APA
Subject:
Visual & Performing Arts
Type:
Multiple Choice Questions
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 14.4
Topic:

Museum Art Report

Multiple Choice Questions Instructions:

Finance 437 Advanced Topics in Insurance Fall 2013

 

Final Paper Assignment (20% of Final Grade)

 

Complete One Question. HARD Limit of Four Double Spaced Pages + Source Page(s)

 

 

Note that four pages is relatively short so you should answer efficiently and not simply include less information.  Use research, lectures from Farmers professionals, your book and other info to support your answer.

 

1)     Consider a business strategy for the perfect P&C personal lines company.  What do you think a company needs to succeed in 2013 and beyond?  Perhaps pointing to something you like or don’t like about a particular company might be helpful.  This is not about your preferences—this about accomplishing goals.

2)     Consider all of the risks and external forces acting on a P&C insurer’s financial management and the tools to manage those risks and forces.  List five of the most important risks and/or forces (there are no exact five, but regulators would certainly be one) and explain how each one would affect the financial management of the company.

3)     Think about how an insurance company chooses its risks (both assets and liabilities).  Explain the underwriting process and how insurers and banks operate in similar ways in taking risks in search of profit.  This is not an easy question to answer completely in four pages so be careful.

 

No more than 4 pages.

Multiple Choice Questions Sample Content Preview:

Running head: Analysis of a museum
Student’s name
Institution
Tutor:
Date of submission
Question One
TITLE:
Nydia, the blind girl of Pompeii
This is a portrait of a lady who is blind clinching on a stick and the head cupped.
Question Two
ARTIST:
Randolph Rogers
An American sculptor who trained under Lorenzo Bartolini
Question Three
STYLE:
Marble sculpture curving
The style depicts a historical theme.
Question Four
DATE:
The year 1860
Question Five
NATIONALITY:
North American, America.
Question six
COLOUR:
The sculpture is white marble. It has contrasting lighter and darker hues with natural shadowing. The shadows even make the subject appear to have eyelashes.
Question seven
COMPOSITIONAL ELEMENTS:
The sculpture is anatomically correct. It is standing vertically.
Question Eight
TYPE AND OBJECTIVE:
The sculpture is objective as it depicts some historical themes.
Question Nine
PROBABLE PATRON:
No intended patron but rather artist gained inspiration from literature.
Question Ten
MEDIUM:
The sculpture is cast from marble.
It is then engraved to bring out the hair and the clothing of the blind lady depicted in the portrait.
Question Eleven
SIZE:
The statue stands approximately 139.7 cm tall. When standing on the museum pedestal the sculpture is on sight with he viewer.
The lighting shadows the right areas to be viewed properly at an eye level.
Question Twelve
BRUSH TROKES/ MEDIUM HANDLING:
The marble is very smooth and flat on handling.
After the smoothening and flattening it is then oiled to make it shiny.
Question Thirteen
LIGHT:
The lighting is natural within the sculpture.
The curvature within the design shadows the sculpture, allowing the viewer to see all of the dimensions, curves and shadowing.
This also makes the sculpture look so realistic that you may imagine that it wants to take off.
Question Fourteen
TIME PERIOD:
The sculpture reflects 19th century American art.
According to Rodgers the artist the sculpture was replicated 167 times in two sizes.
This is because it reflected the last days of Pompeii in the year 1834, a major subject derived from a novel by Lord Edward Bulwer.
Question Fifteen
SPATIAL DEPTH DEPICTED:
The spatial depth depicted by the sculpture is the fictional eruption of Mount Vesuvius, and the amazing search of the friends by a blind lady.
From the sculptures body language, the distress of Nydia is captured during her frenzied search.
Her body strains forward and her hands cups her ear as she desperately and daringly tries to find them I a burning city.
Question Sixteen
TEXTURE:
The work is original and real.
This is opposed to imitations and it is tangible.
It is very smooth when you feel it.
Question Seventeen.
PROPORTIONS
The sculpture is true and elongated proportionally.
It reflects the right propor...
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