How Rosine Mbakam Draws a Portrait of a Person in Chez Jolie Coiffure

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Chez Jolie Coiffure
Rosine Mbakam's Chez Jolie Coiffure film begins with the filmmaker being approached because of a recording outside her hair braiding shop where the movie happens. Mbakam is escorted back to the shop by Sabine and other patrons at the facility: a society of African migrants in Brussels, Belgium, who came to hustle for their survival. Despite being a Belgium resident for around a decade, Sabine still waits for a decision involving her asylum application. This paper comprehensively analyzes the entire film from minute one to the last second.
The film is a complementary and self-contained documentary that reflects the West African female dislodgment and identity released by Icarus Films. Sabine narrates to the camera the narrative of a Cameroonian lady who runs to Europe through the Lebanon gateway, where she works as a housemaid. However, she bumped into oppression and lost her passport, but she succeeded in escaping from Turkey to Greece. Sabine associates this nightmare story with subjective detachment, her narrative. She uses the third person to classify her struggles, displaying her as an urban legend while unemotionally attending her daily business.
Sabine tells the story of a Cameroonian lady who fled to Greece via Turkey after losing her passport in Lebanon, where she had been tricked into working as a housemaid but was sold into slavery. Although she tells her nightmare story with anecdotal detachment, it is her personal experience. Sabine compartmentalizes her suffering by using the third person. She casually goes about her activities while presenting it as an urban legend, whether rapidly combing out headless weaves or deftly braiding others' hair.
The film is filmed in a small location and accompanied by several challenges. The film utilizes three