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Pages:
3 pages/≈825 words
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Style:
MLA
Subject:
Religion & Theology
Type:
Essay
Language:
English (U.S.)
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Topic:

Theological Themes as Concupiscence, Sin, Social Sin and Grace

Essay Instructions:

Please read "The Great Divorce, C.S Lewis".
In his little work, The Great Divorce, C.S. Lewis (1898-1962) offers us an allegory of life’s journey and what it might mean for a person to be caught in an ego-constructed trap. Such that, while always having an invitation to accept love, because of habits of suspicion and self-absorption, a person can shrink away from the cost of change (conversion) and simply refuse to recognize—to hear—love’s invitation.
Lewis’ work becomes particularly chilling when we realize that this tale is not so much about other people but about ourselves.
In an essay to an intelligent age-peer who has not taken this course, but who has read The Great Divorce, creatively examine this artistic work utilizing such theological themes as concupiscence, sin, social sin and grace.
It may be helpful to recall: ( Please read the text from the book: Sin and Grace, Roger Haight)
-Concupiscence “is not properly sin in itself” (Haight, 92), but “refers to the sheer resistance of the whole of individual to the freedom of self-actualizations for good” (Haight, 97).
-Sin is an observable dimension of human existence, and Catholicism has traditionally explained sin as “an aversion to God and God’s will for human self-transcendence” and that it is ultimately manifest as “an active resistance to God” (Haight, 99). Since many of your age-peers have an aversion to such “religious” terminology as, “sin,” or might identify themselves as agnostic, make sure that you open this concept up for them in an accessible and meaningful way.
After the serial mass genocides of the Twentieth Century, Christian theologians have had to reflect in a serious way on the truth that “sin is social as well as individual” (Haight, 101). While it is essential to acknowledge the reality of social sin, and its accompanying societal guilt and social responsibility, it is also important to recall Father Haight’s observation that “there are variables in responsibility and guilt that can be located along the axes of knowledge and power” (Haight, 105).
-Finally, while acknowledging the tragic truth of ego-centeredness and collective self-destruction, Father Scholla has tried to underscore throughout this course the foundational and constant offer of grace, that is, “God’s love for human existence” (Haight, 107; also see 112-114), and Catholicism’s particular conviction and confidence that “all human beings, from the beginning of their existence, live in the condition of God being personally present to them in an offer of love” (Haight, 116).
Please make sure the essay will be satisfied:
-THESIS : The essay’s thesis is easily Identifiable, its aim is clear, insightful, novel and sophisticated.
-STRUCTURE: The essay has a clear, evident and understandable structure that is appropriate for the thesis. Excellent transitions from one point to the next, where each paragraph is supported by solid topic sentence.
-USE OF THEOLOGICAL EVIDENCE: Primary source material is often coupled with an appropriate example or insight, and is used to buttress the major points of the essay. Examples support the topic sentence and fit the purpose of the paragraph; there is also an excellent integration between quoted material and the author’s own voice.
-ANALYSIS: The author’s analysis is fresh, exciting, and may even pose a new way of thinking about the topic; the student clearly relates evidence to topic sentences.
-MECHANICS: Sentence structure, grammar, and diction are excellent; the author has mastered the correct use of punctuation and citation style; minimal or no spelling errors and absolutely no run-on sentences.

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Theological Themes as Concupiscence, Sin, Social Sin and Grace
The Great Divorce is crafted as a reflection of a dream. The narrative starts when the author finds himself in a grey town waiting for a bus. Other people are waiting for the same bus but decide to walk before the arrival of the vehicle. The others are waiting and finally aboard the bus. The context of the narrative involves hidden meaning relevant to the Christian world and spirituality. The narrative can be explored from a theological point of view, with the themes of desire, sin, social sin, and grace, guiding the book's review and analysis.
Lewis adopts a fictitious approach to make arguments about the truth and value of Christianity. The author argues that Christianity is an obvious intuitive way of thinking about life, morality, and happiness. The story proves that Christianity is common sense by showing the alternatives to Christianity are irrational and otherwise ill-founded. The damned souls who refuse to believe in the word of God or the divinity are confused about themselves and their place in the world. They also fail to show basic human emotions such as compassion, respect, and dignity. Lewis does not explain why it is necessary to love and believe in God but makes two arguments. The first argument is on the suggestion that believing in God is the assumption that goodness is possible (Lewis, n.p). The theme of Grace is introduced in this concept where the suggestion recommends that people should treat each other with goodness. The concept argues that there is an upper boundary to the competencies of goodness, kindness, and ethics. The context reflects the Graceful nature of God and how He is kind and loving to humanity.
Grace is as well expressed through the aspects of love presented by Lewis. The book argues that trusting in God is the core form of modest love. Christians who love an all-superior being known how to adore others without second-guessing. A nonbeliever, on the other hand, faults love for yearning, especially the desire for possession. Lewis encounters Pam, who used the final years of her life grieving her son's death. She then deserted everyone, including her peers and spouse (Lewis, n.p). Pam maintains she loves her son, but it turns out to be clear that her love is a kind of self-centeredness and clinginess. Sin is then introduced in the context where the narrator indicates that such love can be twisted to become sin if it is not f...
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