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DMS 259: Introduction to Media Study and Analysis Essay

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DMS 259: Introduction to Media Study and Analysis SHORT PAPER ASSIGNMENT #1 DUE FRIDAY OCTOBER 23rd BEFORE MIDNITE. LATE PAPERS WILL BE PENALIZED. Please write a minimum of 750-word double-spaced and typewritten essay that answers ONE of the following questions. Your paper must have a minimum font size of 11 and a maximum font size of 12. Please save your paper as a word document and give your file a name with the following format: your last name first and a first initial followed by a period and the number one (for example: sarlinp.1.docx). To submit your paper, please follow these instructions: 1. Within UBLearns for our course, click on ‘Assignments’ 2. Click on the Assignment labeled, ‘Short Paper Assignment #1.’ 3. On this page, use the ‘Browse My Computer’ button to find and attach your paper. NOTE: Do NOT copy and paste your paper within this window. Please upload a Word document. If you use Pages, please export your Pages file to Word. 4. Click Submit. CHOOSE ONE of the following questions and answer it with reference to specific scenes from class screenings and/or quotations from class readings or screenings. Be sure to cite all of your sources, including author, title and page number. Your sources are restricted to course-materials -- no additional sources can be used. In addition, please indicate the number of the question you are answering, your name, date, and a title for your paper on the first page. Before you begin your essay -- read the question/prompt you are choosing to answer at least three times. Then re-read the text and re-watch the film that you are going to refer to in your paper. In addition to having a clear thesis, your paper needs to have a TITLE that relates to your paper’s argument. In addition, your paper will need to include THREE QUOTATIONS and refer to TWO SPECIFIC SCENES or moments in the film you have chosen to discuss. Feel free to include reference to other texts we have read for class -- but these should be in addition to the quotations from Benjamin (for Paper Topic 1) or Marx and Engles (for Paper Topic 2). Please be sure to proofread your paper before submitting it. Papers will be graded on the strength and originality of your argument, organization, use of course-materials, clarity of writing, and grammar. This paper counts for 14 points of your grade. Late papers will be penalized. PAPER QUESTIONS 1. According to Walter Benjamin, the advent of mechanical reproducibility revolutionizes the social function of art, transforming the production, circulation, and reception of art in a variety of significant ways. In his essay “The Work of Art in the Age of Technological Reproducibility,” he argues that “ [f]ilm is the first art form whose artistic character is entirely determined by its reproducibility” (109). What are some of the specific changes and consequences associated with film, according to Benjamin? Discuss at least two of these changes through the analysis of ONE of the films that we have watched for class this semester (Modern Times, KShE, Electric Edwardians, A Trip Down Market Street, I Forgot My Phone). Be sure to include THREE different quotations from Benjamin’s essay to support your argument AND refer to at least TWO SPECIFIC scenes from the film you have chosen. 2. In The Communist Manifesto, Marx and Engels offer a critical assessment of the role of technological innovation and modernization in the development of capitalism that considers both the positive and negative consequences of the “constant revolutionizing” of the means of production. Discuss the attitude(s) towards technology and technological change represented in ONE of the following films (Charlie Chaplin’s Modern Times; Esfir Shub’s K.Sh.E.; or Andrew Rossi’s Page One). In what ways does the film you’ve chosen reflect or modify Marx and Engel’s assessment of the relationship between workers and machines? How does the film SHOW us the impact of technology and technological change in ways that share, contradict, modify, or update some of Marx and Engel’s assessments of capitalism more generally? Describe at least TWO scenes and include THREE quotations from Marx and Engels to support your argument. LINKS FOR FILMS TO CHOOSE FROM: Modern Times (dir. Charles Chaplin, USA, 1936, Sound, 87 minutes) Page One: Inside the NYTimes (Andrew Rossi, 2011, Sound, 96 minutes) Electric Edwardians: The Films of Mitchell and Kenyon (British Film Institute, UK, 2005, SILENT, 85mins). A Trip Down Market Street (Miles Brothers, US, 1906, SILENT, 12 mins) - turn off soundtrack K.SH.E. (dir. Shub, USSR, 1930, Sound, 50 mins) I Forgot My Phone (deGuzman, US, 2013, 2:10 mins)

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Benjamin asserts that the work of art has often been reproducible; this is because other individuals can easily copy people’s objects. He explains that the technological reproduction of art is new, but it has become widely accepted. Lithography was also a significant change in film and technology of reproduction since it helped the graphic art market its products in large numbers in daily variations. Most importantly, lithography makes it possible for graphic art such as film to offer an illustrated accompaniment to day-to-day happening.
One significant change associated with films was changing how the actors were represented; Benjamin asserts that in movies, the actors are necessitated to “represent someone else before the audience” (Benjamin, 2008, p.122). In this case, the actor has to undergo a transformation that confines him or her to a negative aspect of the change. Benjamin explains that an actor is likely to feel exiled from his person and is stripped of reality; this is because one must have portrayed a different life. Besides, it is critical to note that a film’s best effects are attained by acting a little possible. As a result, a film actor is denied the opportunity to identify himself or herself with a role, but the actor’s performance from assembled from different scenes.
In the film, “Electric Edwardians: The Films of Mitchell and Kenyon” from the section’ Lieutenant Clive Wilson and the Tranby Croft Party Hall (1902)’ Clive Wilson is seen coming in front of the camera and then pausing as if taking photographs and then walks to the operator (Mitchell, 2005). In this case, the actors were required to act in a particular way to pass a predetermined perception to the viewers. Moreover, the films produced during this time were staged to fit and reflect local events of significant nature with the goal of bringing people to cinematic caption. From this instance, Lieutenant Clive Wilson was celebrated after returning from deployment and was regarded as a war hero; the entire family was also invited to a special showing of the event. The aim of the film, in this case, may have been to show how the heroes may be celebrated in the community.
Benjamin also maintains that films have facilitated changes through establishing equilibrium between the people and apparatus. Films can easily achieve this goal in different approaches, such as through h...
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