Sign In
Not register? Register Now!
Essay Available:
Pages:
3 pages/≈825 words
Sources:
2 Sources
Style:
MLA
Subject:
Visual & Performing Arts
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 10.8
Topic:

Modern Art: Hannah Hoch's Work

Essay Instructions:

Choose one essay question and answer with a three-page response (double-spaced). Credit your sources and provide a short bibliography.
1. This question concerns the use of “found objects” or everyday “stuff” that began to be used extensively in avant-garde art, including Cubism, Dada, Surrealism and other movements. What new issues are introduced into the discourse of Modern Art by the addition of found objects? What difference do they make? What kinds of boundaries do they break? (This includes photo-collage.)
2. The artists who affiliated with Dada pioneered new formal dimensions in art. Marcel Duchamp comes to mind as one of the premier artists who “materialized” gendered identity, introduced “readymades,” and incorporated chance into the art production process. He also pioneered a type of installation (the “mile of string”) that would be thrown away after display. Discuss several of his works, or those by other artists in Dada, that pushed the boundaries of what art can be.
3. Hannah Hoch is one the first “feminist” artists we have encountered in our studies of the modern avant-garde. Through the device of photo-collage she challenged prevailing ideas about cultural identity and sexual politics, for example, issues that are paramount in her “ethnographic museum” series. Write about her work and how she developed feminist themes and critical contents in her work.
4. The Surrealists were interested in provoking new kinds of content through references to “dream logic” and the “unconscious,” depicting the emotional and experiential components of dream life in painting, sculpture, and photographs. What was the allure of the unconscious, and how what strategies did they use to describe dreaming and desire. You might even consider the role of de-familiarization in Surrealism in pictures that don’t make narrative sense.
5. Italian Futurism is notorious for bombastic manifestoes that challenged many aspects of traditional culture and art making. Futurist artists favored formal qualities that include simultaneity and dynamism, as we see in their paintings, sculptures, and wild performance evenings. Dynamism was an expression linked to new technology and new machines and a new utopian future that would obliterate the past. Choose a couple of artists and discuss their work in these terms
(If you have any question, please contact me,tks)

Essay Sample Content Preview:
Students Name:
Professor:
Course title:
Date of submission:
Modern Art
Hannah was an artist born in 1889 of German nationality and was part of the Dada artists. She was well known for her work as the pioneer of photomontage. This was a collage type; past actual photographs were taken from the press or media. Her work was mainly intended to represent feminism in 'New Woman,' where she portrayed herself as a professional, energetic woman who is a man's equal. Themes Hoch worked on created a feminist dialogue that promoted women's liberation back in the day and has continued through to today. Most of her artwork satirically critiqued the beauty industry back in the day, and it gained force in mass media as advertising photography and fashion were on the rise.
Before this, Hannah moved to Berlin, where she attended art school and studied book art design and glass working, which was interrupted by war. After the war, she met Hausmann, who became her lover and introduced her to Dada artists. Dadaist artists dismissed Hannah because she was female. Her work portrayed the combustion and chaos of berlin's culture from a feminine perspective; from 1926-1935, her artwork illustrated same-sex couples, and women were always the main theme of her works from 1963-1973 (Otto 62). Later in 1951, an American artist Robert Motherwell did not include Hannah in his study about Dada artists. In 1918 at the Museum of Modern Art, Kristin Malkholm described how Hannah and Hausmann started creating photomontages.
Moreover, after World War I, they were overwhelmed by advertisements, pamphlets, and posters, and that is when they found a picture with heads of different military officers posted in it. One of Hannah's most enduring works was 'cut with the Dada kitchen knife through the last epoch' (1919). The poster-sized image presents a riot of overlapping portraits with so much diversity that it appears quite chaotic and impossible to examine. Upon more inspection, it was realized that they were two groups of pictures together; that of machinery and the other of people colliding with each other. Additionally, this represented the 20th-century pressure between mechanization and humanity, and particular artwork sends forth the wild energy of society from conflict and industrialization (Wyrick 114).
Hannah addressed gender discrimination like women working under low-grade conditions and low-paying jobs. She addressed this in photomontages like The Beautiful Girl (1920); in this particular work, the woman did not have a head and in its place was a bulb. A lever and a car tire on one side, multiple BMW...
Updated on
Get the Whole Paper!
Not exactly what you need?
Do you need a custom essay? Order right now:
Order

You Might Also Like Other Topics Related to art essays:

HIRE A WRITER FROM $11.95 / PAGE
ORDER WITH 15% DISCOUNT!
Order Now