Analysis of Gismonda by Alphonse Mucha 1984

Analysis of Gismonda by Alphonse Mucha 1984 Name Subject Date Object essay Analysis of Gismonda by Alphonse Mucha 1984 Alphonse Mucha was born in 1860 and is internationally known as a graphic artist and an illustrator. He is best known for his numerous decorative and styled theatrical posters. He produced plenty of advertisements, designs, and decorative panels, which were considered to be one of the best during his era. Mucha created the object late in December 1894 after he saw an advertisement in a local shop. The advertisement required an artist who was able to make a poster for the Sarah Bernhardt play, one of the most famous actresses during that time. In two weeks, Mucha created the Gismonda portrait. The portrait has a unique style which made it a unique success. It was one of the works that made Mucha the famous artist that he remains to be in history. It was this piece of art that founded the Mucha style movement, which in turn, turned out to be the Nouveau art that people know in today's world. After the success of painting this portrait, his work became famous in the city. In addition, his work was copied all over the world following the 1900 universal exhibition of Paris. The amazing portrait was made the official advertisement of the 1895's production of Gismonda in Theatre de la renaissance located in Paris. The play starred Sarah as the main actress and director. The image depicts Sarah, wearing the same costume that she wore during the last scene of the play. She was happy about the poster that she made a 6-year deal to work with Mucha. She also decided to use the portrait as the official poster of her Gismonda US tour. In the following years, Mucha was able to create more portraits about Sarah, which helped in building both their careers. However, the Gismonda portrait was among the most famous work that made him succeed in his career. Ho git more deals following the painting of this portrait.[Hsu, Sheng-Chieh. Bronze Age Crete and Art Nouveau: A Diachronic Dialog. Temple University, 2017.] In the Gismonda portrait, Mucha uses rich and inoffensive colors to give the viewer of the object a sense of calmness. The dark shades of green mixed with a little lighter shade of orange make the portrait pop out in beauty. It portrays Sarah as an exotic noblewoman wearing a splendid gown, holding a palm branch and an orchid headdress. This is the same costume she wore at the final part of the play where she attended the Easter procession. During such a procession in history, women would wear long gowns and headgear to bring out their beauty. Every par...