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Geography EC1 Social Sciences Essay Research Coursework

Essay Instructions:

Don't try this unless you can give me high-quality higher-order thinking that is concise and readable. No less than 800 words.
It is not a research paper either. Reflect. Read all three articles and enjoy them.
 the ideas of Paper #2, tease out how Eko Atlantic mirrors Paris’ “destruction” from reality/lived space to one of “spectacle” and consumption and how neoliberal ideology is a factor in these changes.
*****DO NOT DO THIS BUT READ TO UNDERSTAND -- Paper 2
History doesn’t repeat itself, but it often rhymes.
This assignment is to compare the engines of change in Old Paris and New Lagos. Use as many of the concepts we have discussed over the last two weeks to address the following two questions.
In what ways is the history of Paris “rhyming” in the socio-spatial processes of Lagos?
How well do you feel that any of the theories described so far in this semester can explain the changes in Paris and Lagos?
https://www(dot)laphamsquarterly(dot)org/roundtable/old-paris-no-more
https://www(dot)newyorker(dot)com/culture/culture-desk/paris-reborn-and-destroyed
https://www(dot)newyorker(dot)comG/magazine/2006/11/13/the-megacity
https://theconversation(dot)com/lagoss-chequered-history-how-it-came-to-be-the-megacity-it-is-today-124306
https://www(dot)youtube(dot)com/watch?v=eJr3WI5cF7U
https://www(dot)youtube(dot)com/watch?v=SGIeAm6NolQ

I will attach my reflection paper 2.

Essay Sample Content Preview:

Geography EC1
Student’s Name
Institutional Affiliation
Geography EC1
The Old Paris is no more, is an arguable true statement. It is gone due to neoliberalism and spectacle. Guy Debord condemns the spectacle of our society. Spectacle in Guy Debord’s context means overarching inclination towards images and consumerism. The spectacle is not an agglomeration of images or pictures, but a social relation among persons, which are mediated by images. This paper is a reflection of three articles that represent ideological, aesthetics, and philosophical occurrences, that often accompany urban evolution.
The old Paris has lost its features due to the spectacle society that we have. Spectacle, as presented by Debord, embodies capitalism or autocratic control of the market, which is powered by the media, including celebrities, film industry, cinema, television, and other forms of advertisement. Here, the media industry is not capitalism, but it is an instrument of capitalism. It is used by the capitalist venture to pacify the populace. Debord defines the modern methods of production in the economy as an accumulation of spectacles, indirectly meaning growing capitalism. There is an elaborate connection between the economy and spectacle, and this phenomenon is supported by Marxist ideology.
The spectacle in the context of the Old Paris is quite different from the kind of spectacle we have today. This change indicates how Old Paris just disappeared as we get mauled by the contemporary spectacle. The activities of the media are currently pound and more palpable than never before. People are constantly bombarded with unending adverts on television sets, social media platforms, and internet search engines. Irritating pop-ups are appearing on browsers that would irritatingly refuse to go away. The excessive images in media that are key driving forces behind capitalism tend to alter human relationships and interactions. The media, which is a manifestation of spectacle, affects the lives of individuals every day through interpretations of the phenomenon in simple narrative communication.
Debord deploys the term ‘spectacle’ to describe the deterioration of cities, which he vividly described in1978 film by stating that “Paris no longer exists” (Pinder, 2000). The loss of Old Paris is quite systematic and insidious. Baron Haussmann is among the individuals who contributed to the disappearance of Old Paris due to his action of demolishing structure to pave the way for public work. Poems had been written to express images of exile and dispossession. The loss of urban features and life was widely attributed to schemes of capitalism and state bureaucracies.
The media images dissolve time...
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