Sign In
Not register? Register Now!
Pages:
7 pages/≈1925 words
Sources:
Check Instructions
Style:
APA
Subject:
History
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 25.2
Topic:

Art: Northern European Artists

Essay Instructions:

Artists in northern Europe produced a variety of portraits – representations of themselves and of their contemporaries – between ca. 1350 and ca. 1600. In some cases portraits were created as stand-alone works (focusing solely on one person’s head and shoulders or whole body); at other times portraits were integrated into larger compositions containing other figures (for example, Mary and Jesus). Discuss the various types of portraits we have seen in this class. Please address the functions of portraits and, when relevant, the role(s) of the people portrayed. Also, in your essay address the following question: did portraiture change as a result of evolving social, political, artistic, and/or intellectual contexts – in other words, did portraiture have a history? In your essay, please mention and describe at least five individual artworks, including at least one from the fourteenth century, one from the fifteenth century, and one from the sixteenth century. Please don’t hesitate to mention more than five artworks (indeed, you might want to mention more than five in order to produce a more complete essay). The paper should be written in 12-point font, double-spaced, and formatted with 1-inch margins. Please send it to me as an attachment to an email by 5 pm on Tuesday, November 10. It will be graded on its content and style (i.e., punctuation, syntax, grammar, etc.). Be sure to edit, edit, and edit your paper and spell-check it before you submit it to me. Please put the word count of the paper (not including the title, your name, and the date) at the very top of the paper.

In general, if you are discussing an idea you have learned in this class or if you are making an observation based on what you see in a work of art, you do not need to cite any source (neither the textbooks nor my lecture). However, if you quote something directly or discuss a very specific idea from the textbooks or one of the class’s assigned readings, you should cite the source. To cite the textbooks (here Snyder), follow this model:

In his painting of the Madonna with Canon George van der Paele, Jan van Eyck represents the “two basic bodies of the Church, the priestly and the militant” (Snyder, p. 102).

When citing an outside reading from the class, follow this model:

In a letter of April 2, 1506, Dürer describes how unfriendly Venetian painters had been to him (Stechow, p. 90).

Do not consult or cite websites.

Though it is not at all required or necessary, you may cite outside (non-class) books and articles. If you cite outside sources (that is, if you quote text from them or cite information from them), you must use footnotes. See the “Paper-Writing Instructions” document for information on footnote format.

In a paper, the use of the words or ideas of another person (from, for example, a book or a website) without citing or acknowledging the source is plagiarism. Anybody who is found to have deliberately plagiarized material on the writing assignment will automatically fail the assignment. And, per University rules, I must submit a Violation of Academic Integrity Report to the Office of the Dean of Undergraduate Education, which remains in your file. Things to include in your paper:

1. An introductory paragraph in which you describe what you will do/say in your paper
2. Clearly written paragraphs that discuss the works of art you are using to make your points
3. And, at the end of the paper, a concluding paragraph

Things you should do in your paper:

1. Aim for clarity. Make sure all your sentences are clear and logical.
2. Always edit your paper at least twice (more is better) after you finish writing it and before submitting it. Make sure the sentences are all complete. Reading your paper out loud can help in this process. If something doesn’t sound right, there’s a good chance it’s not properly written.
3. Always spell-check your paper and check carefully the spelling of names and cities.
4. Always underline or italicize the titles of works of art.

Some things to avoid doing in your paper:

1. Never use contractions (e.g., can’t, isn’t, I’m) in a formal paper.
2. Never use colloquial or casual speech in a formal paper. Always write in a formal manner. Personal recollections (of places you have been or works you have seen) are not appropriate to include in a formal paper.
3. Never end sentences with prepositions (e.g., in, on, behind).
4. Be sure you use “it’s” and “its” properly; and use “there” and “they’re” and “their” properly; and use “your” and “you’re” properly. Ask me if you have questions.
5. Do not use numbers to indicate centuries (so, “sixteenth century” and not “16th century” or, when used as an adjective, “sixteenth-century painting” and not “16th-century painting”).

Footnote information:

As you know, this is not a research paper, and it is not required that you cite outside sources. If you cite one of the textbooks or any class reading, please follow the format outlined in the assignment.

If you choose to cite other articles or books (if you take information from them or quote them directly), you must use footnotes to indicate the source of the material.

Footnote numbers, which should be small numbers written in superscript, should appear in the body of your paper immediately after information or quotations you take from any outside source (that is not the lecture or a textbook or one of the class’s readings), and the identification of the sources of the information or quotation should appear at the bottom of the relevant page. Microsoft Word has a function that automatically inserts and formats footnotes as you write a paper. To use it look under the “insert” menu at the top of the page, then select “reference” and then “footnote” (or “insert” and then “footnote” if you use a Mac). The program will insert the small number in the text, and then it will open a small window at the bottom of the screen that corresponds to the bottom of your printed page, where you should include the relevant information regarding the source you have used. I include here examples of footnotes (the text that should go at the bottom of the page) that you are free to use as models:

1. For a book, the information in a footnote can follow this model: Alison Cole, Virtue and Magnificence: Art of the Italian Renaissance Courts (New York: Harry N. Abrams, 1995), p. 35.
2. For a part/section of a book, the information in a footnote can follow this model: Diane Cole Ahl, “Masaccio in the Brancacci Chapel,” in The Cambridge Companion to Masaccio, ed. D. Cole Ahl (Cambridge: Cambridge University Press, 2002), pp. 138-157.
3. For a journal article, the information in a footnote can follow this model: Saul Levine, “The Location of Michelangelo’s David: The Meeting of January 25, 1504,” Art Bulletin 56 (1974): 31-49.

Generally speaking, you can use any format for footnotes, as long as you use it consistently throughout your paper. You can find style guides with instructions about footnote format in the University Library. Examples of style guides include the MLA Handbook for Writers of Research Papers and the Chicago Manual of Style (both are in the University Library)

Essay Sample Content Preview:

ART
Student's Name
Class Information
Date
Northern European artists created a host of portraits of themselves and their contemporaries from 1300 ac to 1600 ac. The most well-known portraitists of the age involve Rogier van der Weyden, Hans Holbein, the Younger, Petrus Christus, Albrecht Durer, Lucas Cranach, the Elder, Jan van Eyck, Hans Memling, and Clause Sluter. They developed the medium of oil paint with a realistic approach to art. Besides self-portraits and other people's portraits, they created panel portraits of various buildings and altarpieces. One of the central representations of their art was the subdued susceptibility of Protestant Reformation.
Moreover, their portraits were dedicated to an accurate description of the subject, rather than its aesthetic appeal. Thereby, they portrayed accurate details enriched with precisely observed gloomy emotional elements. The main interests of the artists were the conventions of woodblock printing and illumination technique. It is a fact that the Northern European portraits from the Renaissance age are known to be the foundational pieces of skill and sensibility. The portraitists embodied realism and created masterworks of portrayed facial features and genuine expressions. This essay aims to discuss the realism and popular trends in North European portraitists from 1300 ac to 1600 ac through five most well-known portrait analysis of the age and how portraiture covered various centuries with significant social, political, and artistic changes making a remarkable history.
The Arnolfini Portrait (1434) by Jan Van Eyke
[J. W. Eyke, "Jan Van Eyke, The Arnolfini Portrait and umanism," humanismartsblogger, 2015, https://humanismartsblogger.wordpress.com/2015/08/03/jan-van-eyke-the-arnolfini-portrait-and-humanism/.]
This famous portrait presents a home picture of a couple, Giovanni di Nicolao and his wife. He holds the lady's hand while lifting his left hand as a blessing towards the viewer. The wife looks down with her left hand put on her waist over the bunch of green fabric. The foreground has a little furry dog and a pair of shoes. There is a convex mirror portraying contracted scene of holy passion on the back wall, which reflects two people in its complexities. There is an inscription above the mirror with a visible depiction of amber beads hanging over. The inlet of light is from the left window with a candlestick. Finally, a chandelier is crowning the couple from the ceiling.
This portrait is an authentic reproduction of the couple's domestic scene as minutely observed by the artists. He has realistically portrayed the home of the couple enriched with artistic symbolism and allusions. The dog symbolizes lust, while the green outfit is a symbol of expectation and incoming spring. The artist deliberately emphasized the holiness of the place by the pair of shoes in the foreground. Besides, the mirror represents Christ's salvation to the husband and wife. The whole scene seems to signify the Garden of Eden.
Eyck's portrait caught the attention of various scholars for being influential in its realistic representation of observation, color palette, accurate oil skill, and deep symbolism.
The Descent from the Cross (before 1443)
Artist: Roger van...
Updated on
Get the Whole Paper!
Not exactly what you need?
Do you need a custom essay? Order right now:

You Might Also Like Other Topics Related to art essays:

HIRE A WRITER FROM $11.95 / PAGE
ORDER WITH 15% DISCOUNT!