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Pages:
1 page/≈275 words
Sources:
1 Source
Style:
APA
Subject:
Communications & Media
Type:
Essay
Language:
English (U.S.)
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MS Word
Date:
Total cost:
$ 3.96
Topic:

DMS 107: Man With a Movie Camera (Vertov, 1929, 68m, Kanopy)

Essay Instructions:

Film: Man With a Movie Camera (Vertov, 1929, 68m, Kanopy)
Readings: Annette Michelson, Introduction of Kino-Eye: The Writings of Dziga Vertov
Notes/Lecture: Man With a Movie Camera analysis
Assignment: Vertov post (200–250 words)
Like Eisenstein, Vertov's theory of cinema is based in montage, but he and Eisenstein differed drastically on the ideas of film form and technique. Based on this week's reading, which discusses Vertov's film theory called Kino-Eye, discuss how Man With a Movie Camera (1929) can be understood as an argument for Vertov's view of cinema. Be sure to use evidence from the film. Also, briefly discuss how Vertov's views on cinema differ from those of Eisenstein.

Essay Sample Content Preview:

Man With a Movie Camera
(Student’s name)
Communications and Media
(Institutional affiliation)
Man With a Movie Camera
The film by Dziga Vertov entitled Man With a Movie Camera is a film that impressed and brought fascination to audiences and it still continues to pique the interest of today. The film is comprised of Soviet Montage, a documentary and narrative that tells about what links a man to his camera. In the beginning of the film, there is a man standing on a camera to imply that it is man’s most innovative technology to date. The cinema cannot run without a camera, therefore proving its importance to film making.
The opening shot shows the actual cameraman giving people the closest view of a recurring character in the film, walks on top of the camera, sets up his tripod, and points the lenses ...
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