The Case for Short Words: An Analysis

Here is an introduction for a process speech on how to interview for a job.
Hopefully, we will be achieving one of our major goals in life soon…graduating from college. All the tests, papers, and projects will be over. What a relief! Although we will no longer have to worry about grades, we will have to worry about something even more important…getting a job. It will determine our future, how we live…where we live…and whether or not we are happy with what we do. Therefore, we need to know how to interview for a job.
Your task is to rewrite the introduction above so that it uses only one syllable words, with no more than 10 multiple syllable words total. Challenge yourself to do something different than what you’re used to.
For reference, it should be something like this, multiple syllable words are underlined.
Soon, we will pass a big life goal, graduating college. The work of class will be done. Stress gone! No more thought of grades, no more thought of school. New test! New task! New dare! Find a job! A job can etch our fate...say where we live…. rule how we live… and pin down if we are happy in life. So, we need to know how to talk our way to a job.
Read this first
A Case for Short Words
by Richard Lederer (1991)
When you speak and write, there is no law that says you have to use big words. Short words are as good as long ones, and short, old words—like sun and grass and home—are best of all. A lot of small words, more than you might think, can meet your needs with a strength, grace, and charm that large words do not have.
Big words can make the way dark for those who read what you write and hear what you say. Small words cast their clear light on big things—night and day, love and hate, war and peace, and life and death. Big words at times seem strange to the eye and the ear and the mind and the heart. Small words are the ones we seem to have known from the time we were born, like the hearth fire that warms the home.
Short words are bright like sparks that glow in the night, prompt like the dawn that greets the day, sharp like the blade of a knife, hot like salt tears that scald the cheek, quick like moths that flit from flame to flame, and terse like the dart and sting of a bee.
Here is a sound rule: Use small, old words where you can. If a long word says just what you want to say, do not fear to use it. But know that our tongue is rich in crisp, brisk, swift, short words. Make them the spine and the heart of what you speak and write. Short words are like fast friends. They will not let you down.
The title of this article and the four paragraphs that you have just read are wrought entirely of words of one syllable. In setting myself this task, I did not feel especially cabined, cribbed, or confined. In fact, the structure helped me to focus on the power of the message I was trying to put across.
For centuries our finest poets and orators have recognized and employed the power of small words to make a straight point between two minds. A great many of our proverbs punch home their points with pithy monosyllables: “Where there’s a will, there’s a way,” “A stitch in time saves nine,” “Spare the rod and spoil the child,” “A bird in the hand is worth two in the bush.” The King James Bible is a centerpiece of short words—“And God said, Let there be light: and there was light. And God saw the light, that it was good.”
You too can tap into the vitality and vigor of compact expression. Take a suggestion from the highway department. At the boundaries of your speech and prose, place a sign that reads “Caution: Small Words at Work.
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