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Pages:
4 pages/≈1100 words
Sources:
4 Sources
Style:
Other
Subject:
Visual & Performing Arts
Type:
Research Paper
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 17.28
Topic:

Nigerian Fuji Music Style

Research Paper Instructions:

Use the three outlines provided to guide your research. Each of these is designed to help you write your final paper. Your paper will be a summary of all of the information asked for on the three outlines.Do not simply turn in the outlines: You must write a paper that combines all the outlines’ information. Your paper should be typed and double-spaced. Use Times New Roman, font size 12, and one-inch margins. Your paper should be a minimum of 750 words.

Research Paper Sample Content Preview:

Nigerian Fuji Music Style
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Nigerian Fuji Music Style
Nigerian Fuji Music is a style of music that originated in Nigeria in the mid-1970s. It is a fusion of traditional Yoruba music, popularized by the Muslim community in the Southwest region of Nigeria, with the Apala style of music, a traditional style of music from the Yoruba people. This genre of music is also heavily influenced by traditional Hausa music, which is popular in the Northern region of Nigeria.
The language used in Nigerian Fuji Music is predominantly Yoruba; however, some lyrics are in English, Pidgin English, and Hausa. The lyrics of Nigerian Fuji Music are often centered on themes of love and religion. The instruments used in Nigerian Fuji Music are largely percussive, with the most common instrument being the talking drum, which accompanies the vocals. Other instruments include the bata drum, shekere, and shakers (Adegoke, 2020). Additionally, guitars, saxophones, and trumpets are often used for accompaniment.
Nigerian Fuji Music typically has a very fast tempo and irregular rhythms. A syncopated sound and much improvisation often characterize it. Additionally, the lyrics are often chanted rather than sung, which gives the music an almost hypnotic quality. The lyrics of Nigerian Fuji Music are often poetic and mostly contain subtle references to spiritual matters.
The emergence of Nigerian Fuji Music was a reaction to the influx of foreign music styles, such as rock and roll and funk, that were popular at the time. Musicians began to combine traditional Yoruba music and Apala with these foreign styles, creating a unique fusion of music. This style of music was very popular and quickly gained acceptance in Nigeria and other parts of the world.
The popularity of Nigerian Fuji Music continues to this day, and many of its songs have become anthems in Nigeria. It has become a symbol of Nigerian culture and identity and is a source of pride for many Nigerians. It is often used as a backdrop to popular Nigerian films and featured at many traditional Nigerian festivals and ceremonies. Nigerian Fuji Music has also been embraced by many international artists, who have sampled it or collaborated with Nigerian musicians to create a new sound.
King Wasiu Ayinde Marshall (Fuji Artist)
King Wasiu Ayinde Marshall, better known as K1 De Ultimate, began his musical career in the early 1970s in Lagos, Nigeria. He was part of a troupe of musicians who regularly performed at various social events, concerts, and parties (Samuel, 2016). He was renowned for his skill with the talking drum and unique vocal style, quickly gaining recognition throughout the Nigerian music scene.
K1 De Ultimate comes from a long line of traditional musicians. His father, Wasiu Ayinde Anifowose, was a popular musician and composer who taught K1 De Ultimate the rudiments of the talking drum. K1 De Ultimate also studied Yoruba music with the famous music scholar and composer Chief Commander Ebenezer Obey (Oyedele, 2015). Obey taught K1 De Ultimate the intricacies of Yoruba music and exposed him to various musical styles. K1 De Ultimate has also credited his musical education to the many different musical styles he heard in the musical environment o...
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