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Pages:
1 page/≈275 words
Sources:
Check Instructions
Style:
MLA
Subject:
Visual & Performing Arts
Type:
Movie Review
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 3.6
Topic:

Pleasure of Watching Psycho

Movie Review Instructions:

EACH RESPONSE NEEDS TO:
1) have a title
2) answer the question.
3) bold main claim (otherwise known as a thesis)
4) have a beginning (introduces the text you are writing about and the topic), a middle (the
bulk of the paper where you make an argument), and an end (where you tell me what you
wrote about).
5) analyze at least one quotation from the text.
6) cite quotations properly (Plato, Republic, 430a2).
7) be broken into multiple paragraphs that communicate a thought and build on each other to
argue for your claim. This should look like a mini-paper.
8) reference readings and the film.
Narrative (II): Broken Narratives
Movie : o Alfred Hitchcock, Psycho
Reading: o Laura Mulvery, “Visual Pleasure and Narrative Cinema”
Reading: o Peter Wollen, “Hybrid Plots in Psycho”
Question :  What is the pleasure of watching Psycho?

Movie Review Sample Content Preview:
Student’s Name
Professor’s Name
Course
Date
Pleasure of Watching Psycho
Psycho is one of the most famous films of all time. Produced by Alfred Hitchcock, it boasts of extreme suspense that glues together the contrasting elements in its plot, capturing the attention of the audience. Thus, the pleasure of watching Psycho lies in the thrill from the dangerous events and the emotional manipulation through its visual pleasure. It featured shocking bursts of violence and sexual explicitness that bordered on the censorship boundaries at the time.
The film is characterized by tragic scenes that capture the attention of the audience through suspense. Mulvey, in his analysis of the text, asserts that “the spectacle of death constitutes the high point of many Hitchcock plots” (Mulvey, Death 24x a second, 93). In Psycho, the 45-second shower murder is one of the scenes that is regarded as the most famous in the history of cinema. After the death of Marion, who is the protagonist, the hybrid of the film becomes evident as her sister, Lila, takes over. The narrative structure of the film is broken, and despite Lila replacing her, the aesthetics of the narrative change. In this narrative change, the story turns from the protagonist’s desire to pursue the future,...
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