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Essay Available:
Pages:
6 pages/≈1650 words
Sources:
3 Sources
Style:
MLA
Subject:
Visual & Performing Arts
Type:
Movie Review
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 21.6
Topic:

Historical Evolution of Hong Kong Martial Arts Films

Movie Review Instructions:

Fist of Fury (Dir. Lo Wei, starring Bruce Lee, 1972)
 Supercop (aka. Police Story 3, Dir. Stanley Tong, starring Jackie Chan and Michelle Yeoh, 1992)
 A Better Tomorrow (Dir. John Woo, starring Chow Yun-fat, 1986)
 Infernal Affairs (Dir. Andrew Lau and Alan Mak, starring Andy Lau and Tony Leung Chiu-wai, 2002) Dragon Gate Inn (Dir. King Hu, 1967)
 Enter the Dragon (Dir. Robert Clouse, starring Bruce Lee, 1972)
 Drunken Master (Dir. Yuen Woo-ping, starring Jackie Chan, 1978)
 Once Upon a Time in China (Dir. Tsui Hark, starring Jet Li, 1991)
 Wing Chun (Dir. Yuen Woo-ping, starring Michelle Yeoh, 1994)
 Rumble in the Bronx (Dir. Stanley Tong, starring Jackie Chan, 1995)
 The Killer (Dir. John Woo, starring Chow Yun-fat, 1989)
 Hard Boiled (Dir. John Woo, starring Chow Yun-fat, 1992)
 Crouching Tiger, Hidden Dragon (Dir. Ang Lee, starring Chow Yun-fat, Michelle Yeoh, Zhang Ziyi, 2001)
 Ip Man (Dir. Wilson Yip, starring Donnie Yen, 2008)
Choose and focus on at least three films from the above lists. The films should be directed by at least three different directors and feature at least three different stars.
!!!! Discuss and compare the generic characteristics and historical evolution of Hong Kong martial arts films and action films in terms of theme, plot, and/or style.
The minimum length of the paper should be 5 full pages, double-space, font size 12 (preferred script: Times New Roman). If you wish to choose any film from outside the above lists, please let me know first. You should not write about the films of one particular star or director only.
Avoid simple generalization. Please refer to specific elements and details of the films. You might wish to consider such formal and stylistic features: characters, stars, scenes, choreography, cinematography, editing, lighting, sound, music, pacing (rhythm), and so on. You may consult assigned reading materials or do some additional research outside the class. Please always acknowledge your sources. Do not use the words and ideas of a publication or online source without appropriate citations.
Plagiarism is not tolerated. If such a case arises, it will be immediately reported to the Office of Student Support and Judicial Affairs.
The course partially fulfills your writing requirement. Your writing is expected to reflect college-level competence in form and content. Both what you write and how you write will be evaluated. Relevant aspects of writing will be looked at as usual: coherence, organization, argument, elegance, grammar, spelling, punctuation, and so on.
Notes on Format
 For citation and documentation, we prefer the MLA style although the Chicago Manual of Style is fine also.
 Double-space throughout the paper.
 We prefer Times New Roman, font size 12.
 1-inch (2.54 cm) margin on all sides.
 Minimum length, 5 full pages.
 Write a title for your paper.
 Indicate page number on each page.
 Italicize all film titles and book titles.
 Indent the first sentence of each new paragraph. Do not leave space between two paragraphs.
 Write your name and the course title at an upper corner of the first page: 

Movie Review Sample Content Preview:
Students Name
Professor
Course
Date
Hong Kong Martial Arts Films
Introduction
Hong Kong Martial Arts Films industry has grown tremendously over the decades. Martial Arts first appeared in Hong Kong cinema in the 1960s and has grown to become Hong Kong's trademark genre. Hong Kong Martial Arts Films, started with black and white films and have now become a dominant force in global cinema, with their films being watched worldwide. Hong Kong Martial Arts Films, comprised acrobatic fighting styles in the early decades. Nowadays, their films comprise highly choreographed, fast-paced fight scenes and highly adrenaline-filled fights. Kung Fu movies and Blue Lee were instrumental in shaping the tremendous growth of Hong Kong Martial Arts Films, especially after Bruce Lee achieved his breakthrough in Hollywood. Over the years, Hong Kong Martial Arts Films industry has expanded and now incorporates other cinematic styles to bring emotional appeal into action films. This paper will primarily compare and contrast three films showcasing how the Hong Kong Martial Arts Films industry has evolved. These films are the 1972 film "Enter the Dragon" directed by Robert Clouse; the 1992 "Supercop" film, also known as "Police Story 3," directed by Stanly Tong; and the 2002 film "Infernal Affairs" directed by Andrew Lau and Alan Mak.
Evolution of the Three Films
The "Enter the Dragon" film perfectly demonstrates how the Hong Kong Martial Arts Films industry evolved over the years, showcasing an infusion of Western cinematic styles into traditional Chinese martial arts. The "Police Story" film showcases how Hong Kong martial arts evolved from just pure comedy to invoking the involvement of comedy, intricate stunts, and drama. "Infernal Affairs" film showcased how Hong Kong martial films expanded into creating crime thrillers. The film combines drama, intense fighting, and a complex narrative to create the thriller effect. Hong Kong martial arts films, have a diverse history. Exploring the themes, plots, and styles of the three films will be instrumental in understanding how the Hong Kong martial arts genre has evolved and how the cinema world has been used to bring out different themes.
Exploring the Themes, Plots, and Styles
Enter the Dragon Film
"Enter the Dragon" film is instrumental in showcasing how the Hong Kong martial arts genre has been involved in themes, plots, and styles. "Enter the dragon" and explores them for revenge. Bruce Lee, who is featured in the film as the character Lee, helps bring out the theme of revenge. He seeks to revenge for his sister’s death while she is involved in a famous drug cartel. Additionally, the film explores the theme of redemption through the character Lee. In the film, Lee is employed by an intelligence agency, and this is severed as his perfect opportunity to redeem himself by infiltrating an underground arts tournament (Clouse). Lee aimed to gain control of the remote island where the tournament was held under the custody of Han, a famous drug lord. Lee aimed to garner data concerning the island and Han and eventually take him down. By doing so, he will have redeemed himself to the agency and honored his sister’s death, and her memory will be remembered.
The plot of "Enter...
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