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Literature & Language
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O’ConnorPassages Coursework

Essay Instructions:

“Revelation” and “The Lame Shall Enter First”
Open book/open notebook (the stories are available in "Files," the collection is titled Everything that Rises Must Converge)
Below you’ll find ten passages from O’Connor’s writing. Choose six of them. For each of the passages you’ve chosen, explain their context and significance in at least five sentences. Be sure to identify the relevant characters and plot points while also interpreting the language closely and drawing out the theme.
Sometimes Mrs. Turpin occupied herself at night naming the classes of people. On the bottom of the heap were most colored people, not the kind she would have been if she had been one, but most of them; then next to them-not above, just away from-were the white-trash; then above them were the home-owners, and above them the home-and-land owners, to which she and Claud belonged. Above she and Claud were people with a lot of money and much bigger houses and much more land. But here the complexity of it would begin to bear in on her, for some of the people with a lot of money were common and ought to be below she and Claud and some of the people who had good blood had lost their money and had to rent and then there were colored people who owned their homes and land as well. There was a colored dentist in town who had two red Lincolns and a swimming pool and a farm with registered white-face cattle on it. Usually by the time she had fallen asleep all the classes of people were moiling and roiling around in her head, and she would dream they were all crammed in together in a box car, being ridden off to be put in a gas oven.

The door to the next room was closed but Johnson opened it and thrust his head into the semi-darkness within. The shades were down and the air was close with a faint scent of perfume in it. There was a wide antique bed and a mammoth dresser whose mirror glinted in the half light. Johnson snapped the light switch by the door and crossed the room to the mirror and peered into it. A silver comb and brush lay on the linen runner. He picked up the comb and began to run it through his hair. He combed it straight down on his forehead. Then he swept it to the side, Hitler fashion.
A grotesque revolving shadow passed across the curtain behind her and was thrown palely on the opposite wall. Then a bicycle clattered down against the outside of the building. The door opened and a colored boy glided in with a tray from the drug store. It had two large red and white paper cups on it with tops on them. He was a tall, very black boy in discolored white pants and a green nylon shirt. He was chewing gum slowly, as if to music. He set the tray down in the office opening next to the fern and stuck his head through to look for the secretary. She was not in there. He rested his arms on the ledge and waited, his narrow bottom stuck out, swaying slowly to the left and right. He raised a hand over his head and scratched the base of his skull.
He saw Norton at the telescope, all back and ears, saw his arm shoot up and wave frantically. A rush of agonizing love for the child rushed over him like a transfusion of life. The little boy's face appeared to him transformed; the image of his salvation; all light. He groaned with joy. He would make everything up to him. He would never let him suffer again. He would be mother and father. He jumped up and ran to his room, to kiss him, to tell him that he loved him, that he would never fail him again.
They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile… At length she got down and turned off the faucet and made her slow way on the darkening path to the house. In the woods around her the invisible cricket choruses had struck up, but what she heard were the voices of the souls climbing upward into the starry field and shouting hallelujah.
As she said it, the raw-complexioned girl snapped her teeth together. Her lower lip turned downwards and inside out, revealing the pale pink inside of her mouth. After a second it rolled back up. It was the ugliest face Mrs. Turpin had ever seen anyone make and for a moment she was certain that the girl had made it at her. She was looking at her as if she had known and disliked her all her life-all of Mrs. Turpin's life, it seemed too, not just all the girl's life. Why, girl, I don't even know you, Mrs. Turpin said silently.
“With this shoe," the clerk said, "you won't know you're walking. You'll think you're riding!" He bent his bright pink bald head and began gingerly to unlace the twine. He removed the old shoe as if he were skinning an animal still half alive. His expression was strained. The unsheathed mass of foot in the dirty sock made Sheppard feel queasy. He turned his eyes away until the new shoe was on. The clerk laced it up rapidly. "Now stand up and walk around," he said, "and see if that ain't power glide." He winked at Sheppard. "In that shoe," he said, "he won't know he don't have a normal foot.”
The boy began to back away from the bar. Then suddenly he leaned forward and hung with his mouth open over his plate. Sheppard groaned again. Everything came up, the cake, the peanut butter, the ketchup-a limp sweet batter. He hung over it gagging, more came, and he waited with his mouth open over the plate as if he expected his heart to come up next.
He went down the steps again and returned to the parlor. He went to the front door and cast a cursory glance out. The sky was crowded with the stars he had been fool enough to think Johnson could reach. Somewhere in the small wood behind the house, a bull frog sounded a low hollow note. He went back to his chair and sat a few minutes. He decided to go to bed. He put his hands on the arms of the chair and leaned forward and heard, like the first shrill note of a disaster warning, the siren of a police car, moving slowly into the neighborhood and nearer until it subsided with a moan outside the house.
The book struck her directly over her left eye. It struck almost at the same instant that she realized the girl was about to hurl it. Before she could utter a sound, the raw face came crashing across the table toward her, howling. The girl's fingers sank like clamps into the soft flesh of her neck. She heard the mother cry out and Claud shout, "Whoa!" There was an instant when she was certain that she was about to be in an earthquake.

Essay Sample Content Preview:

O’Connor Quiz
Student’s Name
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Assignment Due Date
O’Connor Quiz
The theme of the first passage is social class. In this paragraph, the main character is Mrs. Turnip. We get to understand what class means based on her thoughts and viewpoints. The plot must have been set in the early twentieth century, when the class society was predominant in American society. The text is placed in a context where the competitiveness of the class structure in early twentieth century America caused feelings of jealousy towards others. There was a tendency among people to be the classiest, hence Mrs. Turnip’s reference to the class over her as being comprised of common people.
The theme of the fourth passage is love. The love a parent has for their child. In this case, it is the love of the father to his child. The passage talks about the father wanting to be like a mother too to his son. So, Norton must have lost his mother. The father must have failed him in some way because he talks about never wanting to failing him again. A visual representation of this text could not help bring out the true emotion in the father’s eyes. The author excels at putting it all in words.
In the fifth passage, the author brings forth the theme of escapism. In the passage, the main character is looking at pigs or piglets. While looking at them, the character examines how closely they march in line. However, upon fur...
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