Hong Kong Films' Display of Martial Arts

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Hong Kong Films Display of Martial Arts
Chinese traditions with Hollywood livelihood combined to bring up the action films. Which well-defined the cultures of the people residing there. The Hong Kong cinemas promoted these films significantly in the 1970s, and since then, they have been watched all over the world. The impeccable choreography and filmmaking strategy created a cultural-based narrative of Chinese films. These films were primarily played as casts used swords. Although, because of political disputes, they assorted to defenseless martial arts. And so it brought about the significant use of martial arts by the Hong Kong cinemas.
The Fist of Fury film is a perceptible Chinese and Japanese narrative that features the great Bruce Lee as the main character. Chen Zhen (Bruce Lee) comes back to his training school to marry his fiancée to be informed that his Master has passed away in not-so-natural ways.
This film first brings out the theme of confrontation. A desire to know the truth and no one seemed to offer Chen led him to encounter those he thought killed his Master. The movie brings out so many themes that we can learn a lot from different themes. So, you can say he was like a father to the students. Chen is traumatized from the very beginning, so he spends the rest of the film in anger, misery. Lo Wei directs this film in a somewhat different manner, where he raises the viewer's tension by not bringing out fights in a quick manner. Like most Kung Fu films where confrontation is always so fast, and the fighting begins, the director tries carefully to bring out the rage on the affected characters in a slow mode. More so, the movie is relevant for different people, and it has been produced in a style that scenes flow in a manner that every character in the movie is brought out uniquely.
The film's plot comes out swiftly, which instead of feeding its fans with the fighting movie they wanted, instead gives them a mystery murder that is well calculated until the culprits are found. So, no much clashing is brought out in this film. What an irony.
Lo Wei tries his best to bring up a script that upholds the cultural values, where he pictures Chen trying hard to maintain his martial arts teaching well. But the director changes the plot by showing us how the main character differs later from this and decides vengeance is the way forward.
The significance of the Chinese and Japanese martial arts is displayed later in the film. The uniqueness of these films is how they bring out their fighting skills, which are so hard to learn. But despite Chen's prowess and his managing to avenge his Master. Actions have consequences. The action takes most of the scenes, and it is what has been used to bring out the story of the whole movie.
Most Chinese martial tales bring out the theme of justice at the end of their tales. So, after being victorious, Chen still gets punished because of not upholding the rules and laws bestowed upon the people. First, the action is preceded by the conflict and then how the conflict resorts at the end of the movie. Hollywood movies do not punish their heroes even if they break the rules, but they do so with the difference with the Hong Ko...