America's Global Media and Culture

America's Global Media and Culture
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America's Global Media and Culture
Introduction
I agree with Thussu (2014) that America's global media and sovereignty are still powerful despite the rivalry by the rest's rise. The upcoming media flows and powers from Asia with the old histories and new global aspirations are the major source of the rivalry against the American media and culture. Mobility in the media industry is considered a major element in the increasingly digitized global communication ecology. The world is connected globally today, and flows of all types of information and entertainment disseminate across the world in real-time. New technologies ensure the making, consumption, and supply of info sophisticated and unrestrained by time-based and spatial barriers. Every individual experiences a profound transformation in the global media today, and America is among the first countries that expressed the digitization of its media industry. Long before any country could produce quality media creations, Hollywood was already making history through its technology-enabled productions that thrilled the world. Today, countries such as China and India have come out strongly with their digitized media, threatening to outgrow America's media industry's abilities and techniques. The American media industry and culture hold a superior position in technology and digitization despite the threats from emerging media controls such as China and India. 
Media in the Global Environment
Although there is an unpredicted growth in the television and communication sector in the international South, the world's media industry is still conquered by the United States. American and Americanized media is available worldwide, facilitated by the formidable political, economic, and technological abilities. The American media dominates the global industry in English, dubbed or indigenized forms. The imprint of the American broadcasting in the world message setting gives the United States a significant advantage. Suppose attributed to the media, the power, which by ownership of the different nets and creation facilities such as digital television and telecommunication networks, makes the American media well-structured and dominant. From the twentieth century to the contemporary date, the United States is still the largest distributor of the world's theatre and information and software and hardware in the global digitized distribution mediums. 
In 2012, the top entertainment companies in the globe were affiliated with the United States. The evidence for this culture attributes to Pax Americans' existence, a trend that dominates digital and interacted theatre. The top five global American-based media firms have recorded benefits from Southern states such as China, Brazil, and India (Thussu, 2014). The media giants from the U.S outthrow their international rivals from entertainment and sport to news and current affairs, extending to social media. It is reasonable to declare that the American entertainment and info networks move and shape the global media and cultural industry. It is one of the fastest-growing industries globally and accounts for over 7% of the global GDP. 
The origins of the ...