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3 pages/≈825 words
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Chicago
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Literature & Language
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English (U.S.)
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Michaelangelo by Romain Rolland

Essay Instructions:

Book Report: Students are to find a book on one of the artists from the textbook, 50 Artists You Should Know. The book should contain at least 100 pages of text. Include a title page with your name and the identification of your chosen book, and the total word count, excluding words on the title page. Also include a copy of the book’s table of contents. The report should be at least 600 words (700 maximum) and double spaced.
Explain the main points of the book at the beginning of the report. That is, at the beginning of your report you should synthesis some of the main ideas of the book, and then you will go into some of those ideas in depth in the remainder of the report. Refer to specific parts of the text by citing using Turabian Chicago Manual of Style footnoting. The report should contain at least five footnotes in the Turabian Chicago Manual of Style. Footnotes are used when information is referenced, when an idea of an author is paraphrased, or when the author is directly quoted. Include two direct short quotes (less than 4 lines) in the report. When you introduce quotes from the text, be sure to explicate them. Give a quote, and then explain what you think it means. In doing so, focus on what you think are the most important parts of the book, also stating why you find them to be important. Go into some detail about what works the author discusses.








 








19 WILLIAM HOGARTH 72 37 EDWARD HOPPER 12020 THOMAS GAINSBOROUGH 74 38 MAX BECKMANN 12421 FRANCISCO DE GOYA 76 39 MARC CHAGALL 12622 JACQUES-LOUIS DAVID 80 40 MARCEL DUCHAMP 12823 CASPAR DAVID FRIEDRICH 82 41 MAX ERNST 13024 WILLIAM TURNER 86 42 JOAN MIRO 13225 GUSTAVE COURBET 88 43 ALEXANDER CALDER 13426 DANTE GABRIEL ROSSb I 11 90 44 HENRY MOORE 13627 ÉDOUARD MANET 92 45 SALVADOR DALI 13828 PAUL CÉZANNE 96 46 FRIDA KAHLO 14029 CLAUDE MONET 98 47 JACKSON POLLOCK 14230 VINCENT VAN GOGH 102 48 JOSEPH BEUYS 14431 GEORGES SEURAT 106 49 ANDY WARHOL 14632 GUSTAV KLIMT 108 50 DAVID HOCKNEY 14833 WASSILY KANDINSKY 110 34 HENRI MATISSE 112 GLOSSARY 15035 PAUL KLEE 116 PICTURE CREDITS 156/15736 PABLO PICASSO 118








 








01 GIOTTO DI BONDONE02 JAN VAN EYCK 1203 SANDRO BOTTICELLI 1604 HIERONYMUS BOSCH 2005 LEONARDO DA VINCI 2406 ALBRECHT DÜRER 2607 LUCAS CRANACH THE ELDER 3008 MICHELANGELO 3409 TITIAN 3810 RAPHAEL 4211 HANS HOLBEIN THE YOUNGER 4412 PIETER BRUEGEL THE ELDER 4813 CARAVAGGIO 5214 PETER PAUL RUBENS 5615 DIEGO VELÄZQUEZ 6016 REMBRANDT 6217 JAN VERMEER 6618 JEAN-ANTOINE WAI I bAU 70

Essay Sample Content Preview:
MICHELANGELO
Name 
Class 
Date 
 Introduction
Michelangelo by Romain Rolland was a book written about the life and work of the famous Italian painter, Michelangelo di Lodovico Buonarroti Simoni, who also doubled up as an architect and poet. Michelangelo's unparalleled influence was one of the significant factors for the development of Western art. The first chapter of the book is about Michelangelo’s childhood and youth from 1475 to 1505. Romain also writes about the relationship between Michelangelo and Pope Julius II. Rolland goes on to write about the failure of the grand plans, Vittoria                                                                                                                                                                                              Colonna, Michelangelo's old age, death, and one's influence on Italian art. 
Childhood and Youth 
Michelangelo, who was born on the 6th of March 1475, had a rough childhood since his mother passed on when he was only six. When Michelangelo was sent to school, he neglected everything else and concentrated on drawing. Michelangelo’s passion for drawing was greatly opposed by his uncles and father, who whipped him cruelly often because they did not like the profession of an artist.  According to ignorance of the nobility of art, they saw the artist in Michelangelo as a disgrace. Unlike the others, the elder Buonarroti, supported Michelangelo as he pursued his passion and dream before later joining Domenico and David Ghirlandajo.  Therefore, Michelangelo's childhood and youth are fundamental aspects of the book because it is the time when his career started and his influence on Italian art.The Relationship Between Michelangelo and Pope Julius II
Michelangelo was invited to Rome by Pope Julius II after hearing about his work and requested him to plan for his tomb. The design that Michelangelo made please the Pope so much that he immediately sent Carrara to go and get any amount of marble that he wanted.  The first years of their friendship were filled with plans as Julius II was enthusiastic about the plans for his tomb, and Michelangelo was excited about carving an entire mountain. The Pope's impatience made him create a drawbridge, which was his secret passage to Michelangelo's workshop to see how the tomb was progressing. The idea of reconstructing St. Peter's that the Pope had made him lose the friendship he had with Michelangelo, as Raphael, one of Michelangelo's enemies, encouraged the Pope. Consequently, the tainted friendship between the Pope and Michelangelo affected Michelangelo's work and his influence over the Pope through his work.
Failure of the Great Plans 
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