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Essay Available:
Pages:
2 pages/≈550 words
Sources:
1 Source
Level:
Chicago
Subject:
History
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
Date:
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Topic:

Jean-Baptise-Camille Corot’s art style (Essay Sample)

Instructions:

Choose two objects in the current chapters in your textbook that are thematically related (landscapes, portraits, religious subjects, historical monuments, etc.).
Write an essay of at least 450 words using 12 point font and double-spaced text) comparing the formal treatment and iconography of each work. Be sure to identify each object by indicating the artist, title, and date of production. Your essay should address how similarities and differences contribute to your understanding of each work’s meaning or artistic significance. You should analyze these points: stylistic choices (e.g., abstract, naturalistic, idealistic, realistic), function or symbolism of the pieces (What were they used for? Do they communicate a message? Are they sacred or secular works of art), cultural context (e.g., how might the way of life at the time and place the pieces were created affected their function and style? Do historical events relate to the image or story depicted?). In addition, I expect you to refer to the course readings, including the primary readings I uploaded to BlackBoard, in the essays. You must cite at least one source that is not our text book.
Use Chicago-Turabian style notation for any sources that you need to document as references in footnotes. Double-space your text and list your name and the date in the header on the first page. In almost all cases, you should italicize the title of a work of art. Consult the Chicago-Turabian sample essay I provided you for more information concerning formatting. Include at least two illustrations

source..
Content:

The inspiration behind the related thematic aspect of landscape painting style was the basis of comparison between the two chosen art works namely: Jean-Baptise-Camille Corot’s, Souvenir de Mortefontaine, 1864 (fig. 1), and Claude Monet’s, Impression, Sunrise, 1879 (fig. 2). The schematics of both paintings show naturalistic landscape art that shows the atmosphere of the natural world as described by the artist with their works; however, the difference in the art style of the artist reflects their current affection during that era.
Jean-Baptise-Camille Corot’s art style uses the traditional realism early in his career with his landscape arts with infrequent references to contextual painting of nature where he uses color palettes of continuous development of practice from neoclassical open-air landscape sketching, through Barbizon art to the starting innovations of impressionism. In Jean-Baptiste-Camille Corot's transformational work, the beauty of nature doesn’t seem to longer suffice his inspiration for art; rather, he complemented his passion with the memories and recollection of the landscape while contemplating his painting, thus, provoking an added sense of romantic view in his art piece. The resulting masterpiece of Jean-Baptise-Camille Corot’s new found inspiration was the Souvenir de Mortefontaine. The painting was painted by Jean-Baptise-Camille Corot depicting his memories that that he had in the town of Mortefontaine. Jean-Baptise-Camille Corot’s vision in Mortefontaine was a woman who appears to be picking up the flowers in the tree while two children are placing the collected flowers in their company. The hazy reflection of the thin layers of brushstrokes in the painting shows the hazy memory of this pleasant morning beside the floating reflection

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