George Lipsitz's Thesis on the Changes of Music during the Post-war

Question 1
George Lipsitz’s thesis presents a compelling argument regarding the class-based analysis of the changes in music during the post-war period. The essay is critical in challenging the existing racist notions that emphasized on race-based models in the analysis of music between blacks and whites. These models positioned the blacks as competing with the white “bad guys.” Lipsitz’s essay is critical in dispelling the myth that existed regarding the formation of rock ‘n’ roll. The author demonstrates that the emergence of the genre depended largely on cross-racial relations that developed among the members in the Southern region. The type of music had a wider reception because it appealed to not only blacks but also whites. Hence, Ain’t Nobody Here But Us Chickens was not a demonstration that whites were the bad ones, rather it was an indication of the triumph and victory by the power...