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Xiang Yun Sha Fabric Personal Essay Sample

Essay Instructions:

In terms of influence, it can be written that the Chinese traditional fabric XiangYunSha (香云纱）will be carried forward in a short period of time. Through field investigations, literature reading, expert interviews, and questionnaires to conduct specific research. The goal is how to solve the crisis of the lack of young heirs for XiangYunSha (香云纱） fabrics under the lack of young market for XiangYunSha (香云纱）fabrics. Assume that the problem is caused by the aesthetic differences of different age groups. The core problem is that the design of XiangYunSha (香云纱）clothing needs to be younger to increase the possibility of finding a suitable heir. The practical action is to transform the XiangYunSha (香云纱）a clothing again, in line with the current public's aesthetics. Secondly, cooperate with the promotion of social software. I pay more attention to the design and the content of the promotion. Helped to promote XiangYunSha (香云纱）, changed its inherent impression in the younger generation, and combined it with a more aesthetically-compliant young design. At the same time, more people know that we still have so many traditional high-quality fabrics that have not been developed, and encourage more people to promote traditional culture.
Please note that this is an application essay for the competition, thank you!

Essay Sample Content Preview:

XiangYunSha Fabric
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Xiang Yun Sha Fabric
Over the last twelve months, I have been increasingly involved in promoting traditional culture to the young generation through fabrics. Chinas history and early civilization are intertwined with silk production and, later on, textiles used for clothing and trade. Despite the emergence of cotton under the Ming Dynasty to rival silk, silk retained its role as a luxury fabric and a symbol of Chinese culture. Over the years, traditional fabrics made of silk have taken a back seat and have been surpassed with modern western culture designs. The younger Chinese generations know little if any of ancient and traditional fabrics.
Through field investigations, research, literature, expert interviews, questionnaires, and historical analysis, I have identified traditional Chinese fabric at risk of extinction. The main focus of my research and outreach has been the XiangYunSha (香云纱) fabric. XiangYunSha is a gauze silk fabric manufactured by coating silk made from mulberry with yam juice, then covering the material in river water containing minerals and mud, and finally allowing the fabric to dry out in the sun. It is believed that the production of XiangYunSha fabric began under the Ming Dynasty during the Yongle period. The heydays of XiangYunSha fabric were the years from 1922 to 1925 where the area of Shunde where they are produced had over five hundred drying workshops. As early as 2006, signs of decline in the fabric's pro...
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