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Pages:
3 pages/≈825 words
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Style:
APA
Subject:
Visual & Performing Arts
Type:
Essay
Language:
English (U.S.)
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Date:
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Topic:

Today's Sound Recording's Similarity to the Music During the New and Old System of Art

Essay Instructions:

Small notes that classical music is generally perceived to have a "presumed autonomous 'thingness' "—that is, some existence outside of the act of performing or listening to it. This week's essay asks you to consider whether this is also true of today's sound recordings.
In what ways do we treat today's sound recordings similarly to how music was understood according to the "Old System of Art," the model in place before 1800?
In what ways do we treat today's sound recordings similarly to how music was understood according to the "New System of Art," the model that emerged after 1800 and was especially prevalent during the Romantic era?
On the whole, do you think our current approach to considering music corresponds more closely to the "Old" or "New" system? Or are both systems equally applicable?
Be sure to frame your response with specific reference to this week's material.
There is no set minimum length for this essay, but experience suggests that it is challenging to fulfill the expectations of this assignment in fewer than 750 words, and all but impossible in fewer than 500. Likewise, there is no upper limit—you may write as much as you wish, but 1500 words should be adequate in most cases.

Essay Sample Content Preview:

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In several ways, today’s sound recordings are treated similarly to how music was understood before 1800, or what is referred to as the “Old System of Art”. One of the biggest parallels between how we treat sound recordings today and how music was understood before 1800 is the lack of emphasis on originality. Like the composers of the past, today’s musicians borrow from each other freely. In popular music, it is not uncommon for an artist to present a revival of another artist’s song. This practice is commonly referred to as cover version and denotes the reworking of a sound recording by someone except its original composer. Some musicians make a living from recreating the music of others. For instance, Iron Maidens, Led Zepagain, and Australian Pink Floyd are examples of bands devoted to recreating the music of Iron Maiden, Led Zeppelin, and Pink Floyd. The enduring popularity of some sound recordings has created a market for cover songs among music lovers who love the familiarity of hit songs. Most copyright laws allow musicians to record a version of someone else’s sound recordings and licenses are often negotiated between the copyright holder and the interpreting artist.
Another way today’s sound recordings are treated similarly to music during the “Old System of Art” is in the matter of compensation. The internet has created ingenious ways artists can receive support for their work. One such way is “crowd patronage” where loyal fans donate money for the production of a sound recording. This arrangement allows musicians to concentrate on the creative process and not worry about how to support themselves. Many artists live with the incessant pressure of supporting their work. “Crowd patronage” allows them to access the support and funding they need to concentrate on creating music. There are numerous online platforms that connect musicians directly with patrons. These platforms provide new and direct sources of funding thereby facilitating the production of works that would have otherwise been held up due to lack of funding.
In other ways, today’s sound recordings are treated in the same manner as how music was understood according to the “New System of Art”, the mo...
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