Frim Foreignness. Visual & Performing Arts Assignment.
Assignment 3: "Film Foreignness"
Due Dec 6 by 11:59pm Points 15 Submitting a text entry box or a file upload Available after Nov 29 at 11am Dear Student,
Choose three of the five short films listed, and analyze these films for "film foreignness" in any two cinematic aspects, other than language. Base your answers on the essay on Film Foreignness from THE ART OF WATCHING FILMS (uploaded in Files).
1. "Two Men and a Wardrobe" (director Roman Polanski, Poland. 1958)
2. "La Jetee" (director Chris Marker, France, 1962)
3. "Borom Saret" (director Ousman Sembene, Senegal, 1963)
4. "Pas-de-deux" (director Norman McLaren, Canada, 1968)
5. "Doodlebug" (director Christopher Nolan, UK, 1997).
Submit your comparisons, providing ample specific examples, on 1- 2 double-spaced pages.
Film Foreignness
Name Course Instructor Date
1 Two Men and a Wardrobe (Roman Polanski, Poland, 1958)
2 La Jetée (Chris Marker, France, 1962)
3 Borom Saret (Ousmane Sembene, Senegal, 1963)
4 Pas-de-deux (Norman McLaren, Canada 1968)
5 Doodlebug (Christopher Nolan, UK, 1997)
The film La Jetée is characterized by halting continuity and linear narrative. In Borom Saret, the main character is a cartman who is poor in Dakar, Senegal, during the post-colonial period. Pas-de-deux focuses on a dance duet and their doomed love. The ballet dance film appeals to the senses as the director cerates personalities that complement each other. The films are mostly character-based, unlike the US, where films are plot-based, and the films are generally narratives that emphasize memory.
The La Jetée story non-linear and is narrated focusing on the present, past, and the future as well as death and destiny where there is time travel for a man who has survived a nuclear WWIII and now lives in Paris, which is destroyed. In Borom Saret, viewers identify with the character based on his experiences ...
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