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4 pages/β‰ˆ1100 words
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APA
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Visual & Performing Arts
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Essay
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English (U.S.)
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Topic:

Contemporary Film Composer: James Horner

Essay Instructions:

choose one composer plz
Choose any contemporary film composer that made an impression on you. Give biographical information with important dates, films scored, musical influences and overall style most associated with the composer. Most important, write about why this composer is of interested to you and some of the films that helped you make this choice.
choose one from the following plz
James Roy Horner was one of the greatly admired film composers in Hollywood. He was mostly known for his combinations of both vocal and electronic sound in many of his scores. His work on the movie "Titanic" in 1997 and “Avatar” in 2009, both directed by David Cameron became the two most financially successful of all time. When director David Cameron approached Horner to score “Avatar” he asked him not accept any other work for a full year, so that he could devote himself entirely to the film. Most composers would never get the luxury of having a full year to work on a score, being that the norm is usually 2 to 6 weeks at the most.
Horner composed the scores for well over 100 films and was awarded two Academy Awards, both for Best Song and Best Score for “Titanic.” Horner was a flying enthusiast and often would pilot his own plane, and in 2015 he was killed in a crash just outside of Santa Barbara, California.
Hans Zimmer (born in 1957) is one of Hollywood’s most sought after composers with a catalogue of composing over 150 film scores. Some of his more well known films include, "The Thin Red Line," "The Dark Knight Trilogy," "Inception," “The Lion King,” "The Last Samurai," "Interstellar," "Gladiator," and "Dunkirk." He formed his own music production company, Remote Control Productions and is well known for his use of combining electronic sounds with orchestral arrangements. His intense research when working on a score has led him to remote parts of the world, collecting and recording various audio samples, which he could use in his elaborate sound designs along with computer and electronic effects. As always his instinct and talent for film scoring has given us some of the most wonderful music today.
Michael Giacchino, born in 1967 is not only known as a composer for film and television, but also of video games. The two video games he is most known for are: “Call of Duty” and "Medal of Honor.” In 2004 he won the Academy Award for Best Score for “Up” in 2009 and through the years he has cultivated a good working relationship with Pixar Films. Some of his scores include: "The Incredibles," "Super 8," "Ratatouille," "Up," "Jurassic World," "Cars 2" and Mission Impossible III."
Howard Shore (born in 1946) is one of today’s most respected composers and some of the worlds leading orchestras perform his music. His most popular contribution to date is his work on the films "The Lord of the Rings" and "The Hobbit." "The Lord of the Rings" stands as his most respected composition for which he received three Academy Awards. Also of significance was the Max Steiner Award given to him by the city of Vienna. His score to “The Lord of the Rings” shows him at his best when writing for large orchestras and composing dramatic themes that are epic in proportion. Vast armies clash in these adventure films but at the same time there is a beautiful undercurrent of nobility and endurance. Not an easy task for a composer to portray all this through music, yet Shore manages to succeed without question.

Essay Sample Content Preview:

Composers
Name
Institutional Affiliation
Course name & number
Professor
Due date
Composer James Horner
James Roy Horner is considered one of the best American composers, conductors, and orchestrators of film scores in the United States. With over one hundred renowned Hollywood films under his belt, his work put him on the map for several award nominations and wins throughout his long career. With his profound creation, the scoring of the movie Titanic was the best-selling movie track in history, making him the best in film scoring.
Biographical information
Born in 1953, April 14th, to Joan Ruth, a Canadian, and Harry Horner, born in Holic, Czechoslovakia, Horner enjoyed a wonderful life in Los Angeles. He was socialized into music early at age five when he learned to play piano and spent several years in London, attending the Royal College of Music. For his high school education, he attended an Arizona school known as Verde Valley High School, after which he joined USC, graduating with a music degree. He also advanced his education and earned master’s and doctorate degrees at UCLA. While working as a music theory teacher at UCLA, the American Film Institute hired him to write music for documentaries in the 1970s (Leicht, 2015, pp. 596). The satisfaction of having the music he wrote immediately played by an orchestra developed a love for such type of work, ushering him into the world of composing for films.
Horner began his career in scoring films with a score of the movie Up from the Depths in partnership with Russell O’Malley, a fellow composer. He spent a significant portion of his time scoring low-budget horror and science fiction films. Through this, he developed a substantial relationship with director and producer Roger Corman, who gave his first shot at scoring his movie Battle Beyond the Star. Part of the movie scores was re-used in Corman’s production, which made Horner’s work noticeable in Hollywood. In 1979, he got his first significant score for The Lady in Red, creating a great impression in Hollywood. He got his leap forward in 1982 by creating music for Star Trek II: The Wrath of Khan, making him a major composer and a household name (Jewish Virtual Library, n.d.). 
In the 1980s, he continued scoring music for high-profile movies such as 48Hrs in 1982, Krull in 1983, Star Trek III: The Search for Spock in 198, Commando and Cocoon in 1985, Aliens in 1986, Batteries Not Included in 1987, Willow in 1988 and Field of Dreams and Glory in 1989 (Jewish Virtual Library, n.d.). Aliens and American Tail’s “Somewhere Out There” earned him his initial Academy Award nomination for original song and score in 1987 (Jewish Virtual Library, n.d.). All through the 1980s, 1990s, and 2000s, he scored Amblin Entertainment’s children’s films, which included 1986 An American Tail, 1988 The Land Before Time, An American Tail: Fievel Goes West, and The Rocketeer in 1991, Once Upon a Forest and We’re Back! A Dinosaur’s Story in 1993, ...
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