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Visual & Performing Arts
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Architectural Critics: Sarah Williams and Michael Sorkin

Essay Instructions:

The purpose of this assignment is to encourage research and reading. Select two architectural critics from the list below. Find one article from each critic and write a brief, one paragraph, summary of each criticism. In an additional paragraph, compare/contrast and comment on the writing style and readability of the authors. Would you recommend them to a friend?
Please note the following:
Be sure to cite your source.
Remember the single page, 8 1/2" x 11" document format.
Choose two of the following architectural critics:
Peter Blake - THE NEW REPUBLIC
Blair Kamin - THE CHICAGO TRIBUNE
Robert Campbell - THE BOSTON GLOBE
Hall Kaplan - THE LOS ANGELES TIMES
Beth Dunlop - THE MIAMI HERALD
Herbert Muschamp (d. 2007) - THE NEW YORK TIMES
Joseph Giovannini - THE NEW YORK TIMES
Nicolai Ouroussoff - THE NEW YORK TIMES
Paul Goldberger - THE NEW YORKER (formerly)
Robin Pogrebin - THE NEW YORK TIMES
Christopher Hawthorne - THE LOS ANGELES TIMES
Witold Rybczynski - THE NEW YORK TIMES
Ada Louise Huxtable - THE NEW YORK TIMES
Michael Sorkin - THE VILLAGE VOICE
Jane Jacobs - THE NEW YORK TIMES
Sarah Williams Goldhagen - THE NEW REPUBLIC

Essay Sample Content Preview:

Architectural Critics: Sarah Williams and Michael Sorkin
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Architectural Critics: Sarah Williams and Michael Sorkin
Sarah Williams Goldhagen premised that while Frank Lloyd Wright was a genius at building houses, his ideas for cities were terrible. According to Goldhagen (2014), most educated Americans know several principal figures of the 20th century. However, the only FLW is the most known figure when it comes to architecture. However, a survey of the era's thought-provoking and eye-grabbing architectural designs suggests that FLW's persistent celebrity is mystifying. Out of the 500 buildings he built, a majority were single-family dwellings. OnOn the other hand, his big projects are mainly inaccessible, making his ideas for cities terrible.
On the other hand, Michael Sorkin dwells on the ethical dilemma architects face in the design of structures whose use goes against the basic tenets of human rights. Sorkin (2013) urges architects to refuse to design chambers of living death by drawing examples from the Austwick detention camps during the holocaust to modern American prisons and torture chambers. Other areas of ...
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