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Essay Available:
Pages:
1 page/≈275 words
Sources:
Check Instructions
Style:
APA
Subject:
Visual & Performing Arts
Type:
Book Review
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 3.6
Topic:

What view of the self does the stories we tell advance?

Book Review Instructions:

EACH RESPONSE NEEDS TO:
1) have a title
2) answer the question.
3) bold main claim (otherwise known as a thesis)
4) have a beginning (introduces the text you are writing about and the topic), a middle (the
bulk of the paper where you make an argument), and an end (where you tell me what you
wrote about).
5) analyze at least one quotation from the text.
6) cite quotations properly (Plato, Republic, 430a2).
7) be broken into multiple paragraphs that communicate a thought and build on each other to
argue for your claim. This should look like a mini-paper.
8) be no longer than 400 words.
9) reference readings and the film.
Paper Topic :
The Problem of the Self
Movie : o Sarah Polley, Stories We Tell
Reading: o Daniel Denett, Narrative as Center of Gravity
Reading: o Galen Strawson, Against Narrative
Question :
 What view of the self does The Stories We Tell advance?

Book Review Sample Content Preview:

Philosophy in Film
Student’s Name
Institutional Affiliation
Philosophy in Film
What view of the self does the stories we tell advance?
In philosophy, “self” is termed as closely related to the aspect of personal identity. In a quest to understand the concept, an analogy of self and center of gravity has been made by Strawson (2004). Self and gravity are abstract forms as they have no mass, color, and physical properties. In the documentary film, “Stories We Tell” by Sarah Polley, the issue of self is highlighted as the film revolves around her family and the ordeal she went through to discover her “self”. In the film, Sarah discovers that she was born out of an affair between her mother and a film director. The story affected her as it started as a rumor, then it turned into ridicule before she took DNA tests to confirm her birth father (Polley, 2012). The analysis of the film highlights key aspects between self and fictional characters in films....
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