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Pages:
3 pages/≈825 words
Sources:
2 Sources
Style:
MLA
Subject:
Visual & Performing Arts
Type:
Movie Review
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 10.8
Topic:

Social Issue of Poverty in “City of God” and "Battle of Canudos"

Movie Review Instructions:

Write a 700 to 800-word response that critically reflects on this week’s film and at least one reading from the week. Relate them to each other and connect them to the broader themes of the course. If there was no assignment last week, you may write about either this week’s or last week’s film and readings. Your response should demonstrate your understanding of both the film and the reading. Do not simply summarize the film. You must use proper citations for all sources in your response. Below are some questions to serve as prompts for reflection. You do not have to address all of these questions in your response.
What are the central arguments made by the films and/or the texts and how do they relate to each other?
What social, cultural, political, or historical issues are brought into focus in the films and how?
What themes emerge from the films or texts and how do they relate to the broader themes of the class?
How do you personally connect to these themes or issues and how do the films and readings help you understand them in new way
Describe the film language in technical terms and discuss how it frames the film’s main themes.
The film is
Film: Cidade de Deus/City of God (Fernando Meirelles and Kátia Lund, 2002, 130m)

Movie Review Sample Content Preview:
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Film Analysis
Poverty is a point of convergence in the social issue of crime explored in the film “City of God” by Fernando Meirelles and Kátia Lund and the text on the Battle of Canudos narrated by Luiz Zanin Oricchio. In the text, Oricchio asserts that the republican government failed to recognize that among the factors that kept Canudos going were hunger, drought, and hopeless poverty in sertao (139). In the battle, Conselheiro was never the main cause of the evils. If anything, he was perceived as hope for redemption in escaping the hopeless situation resulting from poverty. A similar theme of poverty is explored in the film. The criminal activities evidenced in the film result from young people trying to better their lives. The “hoods,” as they are referred to in the movie, represent a group of youths who are willing to go to all lengths to earn a better life in the City of God. Similarly, Ivana Bentes explores the aesthetic of violence in the larger context of poverty (123). Bentes describes favelas (slums) as a place of misery and mysticism. This description mostly points to misery brought about by the social issues emanating from aesthetic poverty. A similar description applies to the City of God, a slum controlled by gangs of children to whom murder is not foreign. All three sources seem to converge at the central theme of poverty.
Violence is largely brought into sharp focus in the film. From the beginning of the film by Fernando Meirelles and Kátia Lund, the audience is introduced to the notorious gang members who rob people day and night using violence. The film especially introduces the audience to gun violence, where many child delinquents in the film are armed with firearms. The violence is specially brought to focus through Lil Z’s character, which starts murdering a young boy. Lil Z adopts more violent means as he becomes of age and takes over the drug business in the City of God. The foul language used in the film also brings the theme of violence into sharp focus. English subtitles try to be modest of the language used in the film. For example, the phrase “f...
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