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Essay Available:
Pages:
8 pages/≈2200 words
Sources:
6 Sources
Style:
MLA
Subject:
Visual & Performing Arts
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
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$ 28.8
Topic:

Artwork of Yayoi Kusama and Criticisms of the Japanese Woman Behind Polka Dots

Essay Instructions:

Assignment #5: Peer-Reviewed Draft Paper
Length: Full Essay Draft — 2100 words [not including footnotes or bibliography]; Bibliography should include at least 6 scholarly sources; Word count to be written, justified right, at end of essay. [your format will be "Word count: ####"]
Include completed peer-edit sheet
Context: Three major goals have animated this course: (1) to explore art criticism’s histories as a fluid lineage of chronological events, philosophical ideas, and images; (2) to explore art criticism’s theories and publications as a literature ruminating on those histories; and (3) to foster your critical skills in reading, writing, speaking and listening, all of which will be important to your further education and to your subsequent professional endeavours.
Writing projects are crucial to the developmental goals mentioned above--our assignments do a fair bit of work in terms of exposing you to the research and writing process that will help you attain these competencies. For this preliminary full text, you will continue from where you left off in Assignment no.4, completing an entire draft of an essay on your selected artwork/work of criticism. Above all, your goal is to form a rigorous argument and support it with solid, well-referenced literary and image-based evidence.
As a starting point, you have already considered and selected one of the following approaches:
write about a key work by an artist or designer [potentially one who was discussed either in class discussions or the readings], using analytical techniques discussed in class and appropriate textual supports found in scholarly journals, book publications, and select internet sources; or
write about a key piece of criticism [again, potentially one that was discussed either in class discussions or the readings], using analytical techniques discussed and appropriate image supports
Of course, the differences between these approaches are not absolute. (For instance, any robust discussion about a key work quite likely will mention key ideas/criticism along the way, and vice versa.) Also, regardless of which approach you chose, you will need to conduct thorough research (primary and secondary sources) and structure your essay around discussions of 2-4 key works. Assignments 1, 2, and 4 should have supported you through the process of developing your focus and expanding it into an essay.
Format for Assignment no.5: Futura Lt BT or Arial, 12pt, double-spaced. To be handed in, STAPLED. [If handing in late or under extension, please email word or PDF document]
NO [SURNAME, DATE] CITATIONS. FOOTNOTES ONLY
Assignment:
For this stage, you will refine the argument and subsequent paragraphs you submitted for Assignment no.4 and improve your citation practices. Remember the instruction given previously: "You might opt to revert to what many of us learned in high school—namely, starting with a general statement and narrowing your content towards the specific [your thesis statement]. This technique is often referred to as the “hourglass” format." As you have already generated an introduction and several paragraphs [Assignment no.4], the success of this draft will be in completing your essay with further explanation and a complete conclusion.
In addition, ensure to list at least 6 sources that are germane to your paper. N.B. Robust approaches to this assignment will seek out a range of perspectives (i.e. rather than restricting your sources scope only or mostly to sources that agree with you or support your argument, look for material that counterposes your thesis as well as material from other disciplines. Psychology, Anthropology, Sociology, and Politics are streams of study and knowledge that connect and directly influence with art).
IMPORTANT: Further information on MLA citation practices can be found here:
https://owl(dot)purdue(dot)edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_page_basic_format.htmlLinks to an external site.

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Assignment #5: Peer-Reviewed Draft Paper
The artwork of Yayoi Kusama dazzles audiences globally with its impressive anesthetic that captures polka dots, light, and pumpkins. She was the first woman to receive the Premium Impariale, a prominent Japanese prize for internationally recognized artists, among other awards, including the Order of the Rising Sun and the National Lifetime Achievement Awards. Yayoi's work displays attributes of pop art, feminism, and minimalism infused with psychological, autobiographical, and sexual content. Her work displays motifs and psychedelic images that put certain themes to art, such as obsession, creation and destruction, sex, feminism, and psychology. The inspiration behind the repetitive patterns in her art draws directly from her hallucination. Today, it has become common ground for critics to define Yayoi's art by attaching psychedelic quality to it. This write-up will highlight Yayoi's performance and its meaning through her mental state and how much she has contributed to the arts and the art industry. The paper also tackles the criticisms of the woman behind polka dots, pivotal works of Kusama, and analytical techniques based on scholarly readings.
Criticisms of the Japanese Woman Behind Polka Dots
Yayoi's art is often associated with her mental inadequacy based on her repetitive polka dots motif that is considered neurological. The concept behind her neurological condition is legitimate due to the unconventional aesthetic of the long history of psychosis, her artistic installations, and the fact that she admitted to being mentally inadequate. The psychosis condition was a source of artistic inspiration. She stated that she suffers episodes of severe neurosis, which sometimes make her cover a piece of canvas with nets and continue painting them on the table, the floor, and her body. On the other hand, paying close attention to her artistic works reveals her work to be sublime; her art pieces are not as whacky and eccentric as most people assume them to be. Besides, the most eccentric looking of her artwork are best discussed within a rational reasoning framework.
Contemplating Yayoi Kusama's artwork, the polka dots and nets extended over infinity rooms and the canvas of her work. These are the negatives and positives of the same motif. People afflicted with the same neurological condition as Yayoi perceive and experience their selves as though they are observing from the outside. In this regard, the victims are divorced from their mortal bodies and mental processes. Yayoi comments in her writings that she has released her feelings through painting and performance into a chaotic vacuum. One can interpret her artwork as a display that eliminates the contours of things visible in the real world with nets and polka dots to show that everything in creation is interconnected. For instance, in her solo exhibition in 1963 Aggregation, she displays black and white photography of a 10-metre boat covered with phallus-like objects all over the floor, ceiling, and ceiling walls.[Thomas, Mika. "Life's Form and Formlessness: Translating Yayoi Kusama's Infinity Net." (2020).]
The motifs of Yayoi Kusama's origins are constructed in conjunction wit...
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