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Pages:
3 pages/≈825 words
Sources:
2 Sources
Style:
Chicago
Subject:
Visual & Performing Arts
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 10.8
Topic:

Stylistic Elements and Visual Motif in the Movie "Sherlock Jr."

Essay Instructions:

you will choose an 8-10 shot sequence from one of the films listed below and provide a shot-by-shot sequence breakdown followed by a short analysis. The sequence you will be discussing is short. However, the assignment is somewhat involved. Be sure to give yourself enough time to watch your chosen sequence repeatedly.
prefer choosing the movie sherlock jr.

For this assignment, you will choose an 8-10 shot sequence from one of the films listed below and provide a shot-by-shot sequence breakdown followed by a short analysis. The sequence you will be discussing is short. However, the assignment is somewhat involved. Be sure to give yourself enough time to watch your chosen sequence repeatedly 

Part 1: Choose ONE of these films

  • Sherlock Jr. (Keaton, 1924)
  • Destiny (Lang, 1929)
  • Man with a Movie Camera (Vertov, 1929)
  • La Chute de la Maison Usher (Epstein, 1928)
  • The Passion of Joan of Arc (Dreyer, 1928) 

Part 2: Preparation

First, view your chosen film and think about a sequence of shots that you find particularly appealing. Next, re-familiarize yourself with the techniques of film style by referring back to the film terminology we discussed at the beginning of the class. It will be helpful to keep the overall form of the film in mind as you work on the Shot Breakdown.

Part 3: Shot Breakdown

You will need to create a shot breakdown table (example provided on Blackboard) and prepare a schematic analysis of the sequence. Number the shots and note EACH one’s duration, scale, camera angle, camera movement, lighting setting, characters, staging or movement of the characters, props and any other aspects of the mise-en-scène and/or cinematography you deem salient. 

Part 4: Short Essay

Write a very, very short essay (approximately 400-600 words) in which you:

  • Analyze the stylistic elements and visual motifs of the sequence (alternations repetitions, variations, rhyming effects, shots and staging that stand out for their singularity, etc);
  • And integrate your observations into an argument, reflecting on the relationship between the narrative and stylistic organization of the sequence.

You will submit BOTH the Breakdown Chart and the essay. The essay should be double-spaced and in 12-point font. Include page numbers. And submit your work directly to the professor via email with the name of the document being “YOUR NAME_sequence analysis”

Please, please reach out if you have questions.  

Essay Sample Content Preview:

Stylistic Elements and Visual Motif in the Movies Sherlock Jr.
Name
Course Title
Date
Stylistic Elements and Visual Motif in the Movies Sherlock Jr.
The movie Sherlock Jr. by Buster Keaton employs several stylistic elements and visual motifs in its plot. Keaton harnesses the use of two-dimension techniques to build a compelling sequence in the plot. A significant part of the movie is about a rectangle. The main protagonist works in a movie theatre as a projectionist, where he spends most of his time daydreaming and looking at a screen. In a substantial part of the plot, the protagonist is trapped on the wrong side of mystery due to his romantic pursuits of "the girl" that creates a schism between him and the local sheik. 
The entry of the projectionist into the screen and accompanying montage creates a remarkable sequence of filmography. The events form the signature scene in the film, creating harmony and helping in developing the theme of conflict of love in the script. The scenery keeps changing behind the main protagonist. For example, a bench moves before he sits, and the streets transform into deep cliffs before he walks off the frame. Besides, while the main protagonist is in the desert, a mound of dirt metamorphoses into a rock on an ocean shore, with the tides crashing in on it to his bewilderment. All the challenges and bad luck facing the projectionist roll in the space of a cut and help keeping in a box. Thus, Keaton uses cinematography to keep the projectionist in prison. 
Moreover, Keaton uses humor and stunts extensively in his work. The comedy ...
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