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Pages:
5 pages/≈1375 words
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Check Instructions
Style:
Chicago
Subject:
Visual & Performing Arts
Type:
Essay
Language:
English (U.S.)
Document:
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Date:
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Topic:

Geometric and Colors in Islamic Art Analysis Essay

Essay Instructions:

Exhibition Project Submission (20%)
Due: March 26, 11:00 am (before class)

You will submit your final exhibition proposal based on the development of your initial idea (Part 1 of the assignment). At this stage, your submission is expected to demonstrate how you’re creating an exhibition narrative through 20 objects that fulfill your exhibition statement. Your final proposal should enable the viewer (the class and myself) to imagine themselves walking through the exhibition and encountering each object and understanding how it fits in your narrative.
(this is part of your exhibition assignment FAH4 2021 Exhibition Assignment.docxPreview the document )
Your submission should include the following (use the Exhibition Interpretative Strategy document as a guide for the requirements):
Exhibition Title
Exhibition Statement: what is the exhibition about in maximum 100 words?
Nature of the Exhibition: This paragraph can include the answers for: What is it about? why is exciting/relevant? What are you trying to achieve? What types of objects can achieve this idea?
Narrative(s): How do you propose to tell the story? Provide a walkthrough of the exhibition based on objects, placement of objects in groups, and introductory and section texts. This walkthrough can be descriptive (using words) or using layout drawings (consider the gallery a simple rectangular white box. You can add colour to set mood).
Lenders to the Exhibition: which museum collections are you using? Minimum 3 collections are required.
Checklist of the Exhibition: minimum of 20 objects in the final exhibition, with complete labels/tombstones (use the Exhibition Interpretative Strategy label format).

Submission: You are required to submit the written statement and the power point presentation.
Requirements:
2000 words (including the exhibition title, statement, narrative, extended labels and object labels)
Your exhibition should draw examples from a minimum of three different museum collections and include a minimum of 20 objects to illustrate your idea.
You need to submit an object checklist for all your objects (but this is NOT part of the word count)
The submission should be double spaced, a minimum of 20 images (maximum 30), with full references and labels.

Assignment Checklist
Check spelling and formatting of the paper
All images should be properly inserted into the file (without distortion)
the title will be "Geometric and Colours in Islamic art", not "Geographic Identity of Islamic Patterns and Colors". The first part might need a little bit of change to relate to geometric not only patterns.
The rest part of the work need to relate to "Geometric and Colours"
Image should have a caption stating what the image is and they should be fully referenced. In addition, if you get an image from a website include the link (URL)
Bibliography should be Chicago or MLS style, but be consistent in the style you use
Include a signed academic integrity checklist with the assignment

Essay Sample Content Preview:

Geometric and Colors in Islamic art
Your Name
Course number: Course name
Date
Exhibition Title
“Geometric and Colors in Islamic art”
Exhibition Statement
The Qur'an and other cultural traditions in Islam contain a firm instruction against the use of idols and worshiping of images. So, Islamic art took advantage of the key elements of intricate designs, especially with the use of geometric patterns and colors. For more than a thousand years, Islamic art expanded into a vast geographic diversity that is commonly used as decorative elements of Mosques, walls, tiles, doors, and textiles. For instance, the shape of the tiles found in different countries has a distinct preference in polygonal patterns to have 6-points, 8-points, and even 12-points. In Spain, the tiles have more interlacing designs of basic polygons while Iran and Iraq preferably use the 8-pointed stars and crosses in their tile panels. Lastly, the Syrian and Turk tiles have simple polygons shapes and are heavily influenced by the white blue design of Chinese ceramics. The distinct geometric patterns and colors created a unique blend of Islamic art with individual culture and regional differences as a means to express its ideas to the audience.[The Metropolitan Museum of Art, Islamic art and Geometric Design (The Metropolitan Museum of Art: 2004), /-/media/files/learn/for-educators/publications-for-educators/islamic_art_and_geometric_design.pdf.]
Nature of the Exhibition
The exhibition is about the geometric patterns and colors of Islamic art from different countries that incorporated their nation's cultures and regional differences. The focus of the exhibition would be color and geometric patterns to identify the uniqueness of each country's innovation in Islamic design. For instance, the exhibition will show the diversity of Islamic geometric patterns because of their specific stylistic features, including symmetry and proportion, found in different countries such as Spain, Iran/Iraq, and Turkey/Syria. In the color preference, the exhibition will uncover the symbolism in the use of color in the artworks. The Islamic colors have a different meaning that can convert the meanings from the natural material world or even the spiritual world. So, we would seek the concepts of colors used in Islamic art. Although the specific geometric patterns and colors are found in different countries, the exhibition will show each artwork's interconnectedness with Islam.[Mehri, Gholamreza, “The color in Islamic Art,” Research J. Humanities and Social Sciences 7, no. 1 (2016): accessed March 18, 2021, doi: 10.5958/2321-5828.2016.00006.1.]
It is exciting because the viewers can see the complex identity of Islamic art that evolved in each country because of the driving forces of their culture and individuality. The movement of Islamic art across geographic boundaries evolved the use of geometric patterns and colors depending on the country of origin. Additionally, understanding the Islamic geometric patterns and colors shows the different styles that are within the developmental periods. For instance, the cultural norms of one country can change as time passes; therefore, affecting the use of geometric patterns and colors, but at the same tim...
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