The Meaning of the Monster Movies Essay

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The Meaning of the Monster Movies
Since the silent era, thrillers with a monster in the cinema had been succeeding in raising the audience's hair. As the technical improvements in movie-making, the monsters of horror movies developed, but the fright and dread they raised in the past are the same in today’s cinema in association with current cultural patterns and scientific improvement. Hence, the meaning of these monster movies has always been to produce terror through a scary monster with unnatural qualities and uncontrollable actions. However, it is not the monster, as considered by the viewers, which keeps haunting long after watching. It is the horror of what a beast represents in a thriller to cause anxiety and fright.
Horror movies stimulate the inherent fear by designing and developing a monster deviating from normality and which might not be scary in the feature. This is the reason why straightforward thrillers attain more controversies. Even a simple monster without much blood in the movie can initiate the inborn sense of terror in human nature as “fear and desire are our most primitive impulses” (Grant and Sharrett 53). For example, Frankenstein (1931) movie suggests the scientist as God with the power to create a living creature that deviates from normality. Thereby, the creature by Frankenstein succeeds in reaching deep down to bear hidden dreadfulness in human nature as Morrison Says that it is easy to itemize the ‘elemental fears that horror films uncover’ (Grant and Sharrett 53). In other words, the monsters in monster movies signify fear, and the audience is psychologically disturbed by what they represent because the sentiment of fear already exists in human nature.
A horror movie also puts the audience in danger of death as the most dominant monster's representation. According to Morrison, ‘the fear of death is the ultimate attraction’ of these movies (Grant and Sharrett 54). The anxiety attached to the terror of death is enjoyable for the audience. That is why the genre of horror never gets off the circle of movie genres throughout the years. This is the type of fear that people love to experience, such as their inclination to enjoy ‘roller coaster’ or ‘amusement parks’ in words or Morrison, who considers thrillers to be “a safe, routinized way of playing with death” as it sets an aesthetic boundary around it(Grant and Sharrett 54). For example, in the movie Frankenstein (1931), the creature moves around the town spreading the risk of death. The unnatural existence of it makes people more vulnerable to be taken by it quite unpredictably. Frankenstein himself has to encounter and take down the monster, while the audience is intentionally and aesthetically concerned about the scientist's life during this confrontation. In other words, one of the deepest sources of dread and anxiety in horror movies include the fe...