The Conjunction Of Artificial Intelligence With Machine Vision (Term Paper Sample)
You will have to conduct original research outside of assigned readings and lectures in order to properly develop your paper. You should research and reference both original material from each practice/technology discussed as well as secondary literature that will reveal important debates about its development.
The conjunction of machine vision and artiﬁcial intelligence may fundamentally transform how we see, how things see, how we see thing, how things see us, and and how things see each other. How we will locate machine vision in the long arc of the mechanical “image” is an open question. It is uncertain even whether “representation” is the right word to use when discussing how machines sense the world. At stake is what we may call “the future of the image.” Please consider different “non-artistic” uses of machine vision, how they actually work, and their speciﬁc histories. Speculate on how they may come form the basis of artistic/design practices in the near future. Consider the work of at least two contemporary artists/designers whose work speciﬁcally addresses machine vision (i.e. Trevor Paglen, Metahaven, Hito Steyerl) and discuss how they address the cultural implications of machine vision differently. What perspectives motivate their projects and what are broader implications for how and what we see?
Machine vision and artificial intelligence (AI) are the today leading innovations. Computer scientists are exploring new edges to machine vision systems engineering and the different fields where the innovations can be applied. The most apparent application has been in different forms of entertainment and the reconstruction of anarchic multimedia, fossils, and technology. This essay examines how the conjunction of artificial intelligence with machine vision will impact perception, the views of researchers and curators on machine vision and the artistic inspiration of machine vision in the future.
Bruce Sterling's short story “Maneki Neko” is a humorous science fiction story, which explores the life of Tsuyoshi Shimizu, who recreates archaic multimedia pieces to modern captivating formats. Tsuyoshi who is a self-employed multimedia artist uses image stabilizers, and interlacing algorithms on his fractal detail generator desktop to create better composed, sharper and cleaner products compared to the original copies. Traditional recording mediums lead to productions of videos that had a lot of flaking and polarity loss (Sterling). Recreation of such videos has garnered him a lot of attention online, which has contributed to the creation of a dominant network among him, his fans and other producers who use the internet as a medium to distribute their works.
Sterling explores the impact of artificial intelligence on futuristic economies on the internet, legal concerns for information copyrights, and the impact of AI on the social lives through the life of Tsuyoshi. A Maneki Neko is a popular Japanese figurine, which has one paw raised to illustrate an invitation of good fortune. Tsuyoshi uses a Pokkecon, designed as a Maneki Neko, with functions similar to a PDA (personal digital assistant) to organize his life. The Pokkecon organizes the life of the holder in a gift economy, where they may be directed to purchase a product that they end up gifting strangers (Sterling). The good gestures are held in the memory of the Pokkecon and rewarded in the future. The good gestures are viewed like credits that are repaid through gifts from anonymous sources.
Similarly, the Pokkecon learns of wrong or impolite actions by an individual and punishes them consciously or unconsciously. However, the gift economy is limited to Tsuyoshi’s dominant network. People who are not members are perceived as foreigners and are attacked by the intelligent systems. For example, Louise, a US legislator, upon arrival in Japan, her PDA got a denial of service attack barring her from communicating with anyone from her home country. In her confrontation with Tsuyoshi, she reveals that she had taken down a part of the dominant network, which would explain the series of unfortunate experiences, including denial of access to her emails, public embarrassments, and the delivery of frustrating presents (Sterling).
Louise’s and Tsuyoshi confrontation brings to light the legal concerns of the online economies and the impact they have on people who are members as well as non-members of the online communities. Bruce also gives interesting insights on the conflict that is likely to ensue from the regulation of the online economies by entities who are not members of this community. Additionally, he illustrates the differences between the justice systems in the real world as opposed to the virtual justice systems, which are predetermined by algorithms online. Bruce demonstrates how the dominant networks rely on big databases, indexes, catalogs and sophisticated search engines have unique identification abilities (Sterling). Such abilities are displayed on Tsuyoshi’s walk from the coffee shop when he is directed by the Pokkecon to offer a disturb...
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