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Visual & Performing Arts
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Narrative Continuity in Film Making (Term Paper Sample)

The midterm paper is to be an analytical essay between three and five pages in length. You must provide a separate cover sheet (that I will not be counting as part of the length of the paper) featuring your name, the name of this class (Oakton Hum-160) and the title of your paper. The paper should be double-spaced and written in 12-point font. You must cite at least TWO sources using the MLA format. Only one source can be either your textbook or an online source. The other source must be a print source that is not your textbook. In the first half of this class we have studied the history of world cinema from an international perspective - beginning with Sherlock Jr. (B.Keaton)Narrative Continuity in the Silent Era, M (Fritz Land, 1931), My Man Godfrey (Gregory La Cave, 1936) and concluding with Citizen Kane (Orson Welles, 1941) Narrative Continuity in the Sound Era. In your midterm essay, you will compare and contrast one film you have chosen to view outside of class with one of the films that we have seen inside class. Both films should belong to the same historical movement. I would like for you to pay particularly close attention to film style. Please note several characteristics of the style of the films you are analyzing (i.e. mise-en-scene, cinematography, editing, lighting, sound design, set design, acting styles, etc.) and draw meaningful points of comparison and contrast between these aspects of film style in terms of how they are utilized in each film. Remember in your analysis to always cite specific evidence from the films. The midterm paper is due at the beginning of class on Saturday, October 26th. source..
Narrative Continuity in Film Making
Narratives are tales of genuine or visualized events that are either verbal or written. They are widely in production of cinemas. Film industry has grown to be a multi-billion dollar industry. In filmmaking, directors employ methods and styles when producing movies. Arrangement is one-technique producers' use in film production. It is defined as story structure that entails narration from the beginning to the end. It also involves prioritization of events according to the way the director wants the story to flow. Giving character traits to individuals in a story is also another way to make films (Bacchilega p. 102). Targeted viewers or listeners are also factors producers and directors put into consideration. This means viewers can be of the same or different age groups depending on the lessons producers want them to learn. This paper will analyze the characteristics of film styles used in two different films.
Citizen Kane and Double Indemnity are the two films that will be analyzed in this regard. The analysis of these films will give more similarities than differences on stylistic characteristics used. Double Indemnity is an interesting film that involves an insurance agent (Walter Neff) and a woman named Phyllis. The film portrays how Phyllis uses Neff to murder her husband so that she can benefit from the double indemnity clause. Mise-en-scene, camera movement, editing, lighting, sound design and set design are examples of styles used in these films. Citizen Kane influenced the production of Double Indemnity film meaning there is existence of the same stylistic characteristics (Ebert p1). Similar styles used in both films included camera angles, use of lighting and focus at the beginning of each of these films. For instance, camera tracks behind Neff as he walks into his office. The hero, Walter Neff, is very dark and surrounded by bright light. As he finds his way to his office, the camera moves with him showing a picture of the office building. This scene is similar to the way Citizen Kane film begins. Camera movement with scenes in these films makes it possible for the viewers to get the real picture of the movie.
Mise-en-scene is another similarity present in both movies. This occurs when directors avoid showing certain scenes of a movie. Normally this is the function of the cameras to bring out this stylistic characteristic of films. In Citizen Kane, camera movement starts on Susan singing then moves upwards past the curtain in a flashback. The camera does not reveal what takes place behind the curtains meaning the viewers can only speculat...
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