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Construction of the New Femininity in 18th Century France Term Paper
Term Paper Instructions:
These instructions are very important!!
1. This paper looks at art history and discuss how female artists constructed the new femininity in 18th century France. ***
2. This is a feminism class, please do not talk about male artists.***
3. Only refer artists and history from my sources(uploaded).***
4. Use only my sources(uploaded).***
5. Follow the paper outline from the my prospectus(uploaded).***
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The Construction of The New Femininity In 18th Century France
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Introduction
It is essential to comprehend that the development of art developed by women, including drawings, paintings, sculptures in France in the eighteenth century was critical in conveying the various depictions that the society has about women. Additionally, women artists at the time were keen on developing art that showed the social role of women. Critical analysis of the art produced by French women during the eighteenth century would help comprehend how females were trained to be women and the various roles that they were encouraged to adopt to reflect their position in the society, as well as, the behaviors that were considered appropriate for women. Many women in France in the Eighteenth century also attained impressive heights of artistic achievement, and this was crucial addressing the various issues that affected women in the society; this was despite that the high competition women faced from other artists. The literature examines and evaluates how the new femininity was constructed in the eighteenth century in France.
It is critical to comprehend woman was regarded as the commanding voice, directing reason and the governing principle of the eighteenth century. France was the first place in Western Europe that many women received public prominence in both the art and intellectual life and this provided an ideal platform for the women artists to not only expand their works but also addressed the various issues faced by women through the art. During the time, the culture which was focused in pursuit of qualities was later mocked and ridiculed as feminine. The works of various women artists of the century such as Vigee-Lebrun, Angelica Kauffmann and Elisabeth-Louise among others were completely focused on changing ideologies of representation, as well as, sexual differences that are present after changing from a courtly aristocratic culture to a prosperous capitalist society.[Whitney Chadwick, 2007. Women, Art, and Society. 4th. Thames & Hudson.]
Besides, the emergence of women painters with professional status in France such as Vigee-Lebrun, Labille-Guiard, and Anna Vallayer-Coster in the Eighteenth century was crucial given the stiff and inflexible construction of sexual differences restricted and limited women’s access and participation in the public activities. However, women painters effectively managed to negotiate between the preferences of their aristocratic clients plus the effects and impacts of the enlightenment and awareness of the ideas about the woman’s place in the bourgeois social order. It is crucial understanding that whenever women artist presented works that presented a self-image highlighting beauty, gracefulness and modesty and that the painting confirmed these constructions she would slowly manage to negotiate for her role in the world of public art. The efforts made by female artists in France in eighteenth-century were critical in ensuring that they managed to construct, manipulate and reproduce new ideologies about the representation of femininity.[Whitney Chadwick, 2007. Women, Art, and Society. 4th. Thames & Hudson.]
It is also critical to understand that the painting of ...
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