Sign In
Not register? Register Now!
Pages:
3 pages/≈825 words
Sources:
Check Instructions
Style:
APA
Subject:
Visual & Performing Arts
Type:
Speech Presentation
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 10.8
Topic:

WOMEN DEVALUATION IN THE HISTORY OF ART. Speech Presentation

Speech Presentation Instructions:

Please combine the instruction, last assignment "project proposal" and the comments on last assignment to write the presentation. Fix the thesis and examples.
instruction: If you're still unsure about what it involves, think of it as condensed overview of the final essay, as if you were to explain your project to someone in 10-15 minutes. In addition to outlining the background of your topic, including your guiding research question(s) and thesis, you should discuss your primary  examples and elaborate on the central arguments you pose. Generally, I want to know why your choice of topic/artists are relevant (why is it worth doing a course project about it) and offer some main takeaway about it. Try to keep it concise and organized - it's as easy to cram too much information in 15 minutes as it is to say too little.

Comments
This project specifically asks to address art since 1968, which Egon Schiele and Claude Cahun obviously don’t fit into. You can still talk about them, but that discussion should serve a primary focus on the post-1968 period. There’s also the question of how you will connect your examples, and what the central thesis of your essay will be—what is the specific argument or point you want to make?
It’s notable that Claude Cahun was ignored by art history until the 21st Century, if only because earlier cultural attitudes about gender, sexuality, and self-presentation were too traditional and simple to fully appreciate what Cahun was doing. It’s worth thinking about how their work has been taken up by artists in recent decades, or how they anticipate contemporary photographers that deal with intersections in gender and sexuality like Collier Schorr, Wolfgang Tillmans, Rotimi Fani-Kayode, Sunil Gupta, Rineke Dijkstra, and others.
Regarding Mapplethorpe, that “There is a subversive dimension in substituting black male of the traditional white female.” it’s also worth considering if, at the same time these works are subversive, they are also problematic, insofar as they substitute a sexist male gaze for a white gaze that fetishizes the black male body. (On this point, Kobena Mercer’s essay “Skin Head Sex Thing: Racial Difference and the Homoerotic Imaginary” and Thelma Golden’s exhibition (and accompanying catalogue) Black Male are worth looking at).
In addition to lacking a specific thesis and a framework for how you will connect your examples, this proposal isn’t linear paragraph form, which makes it harder to parse the overall ideas of the project.

Speech Presentation Sample Content Preview:

WOMEN DEVALUATION IN THE HISTORY OF ART
By
Name of Student
Institution of Affiliation
Date
WOMEN DEVALUATION IN THE HISTORY OF ART
Introduction
Katy Deepwell asserts that there is much more that remains to be done in art institutions such as schools, museums, public galleries and practices review before any changes occur in women position in the field. Several investigations in art history depict that women as subjects and artists have been devalued in the history of art. The main attributing factors were the values as well as the social and cultural structures that existed in a certain period. Nevertheless, the year 1968 perhaps more than any other year will be remembered as the decade of radical change. Not only did the year witness, the occurrence of several events such as the political assassination of Robert Kennedy, Martin Luther King Jr, among others in the political front but it also saw a transformation in the art world. The events made the year a turning point as it saw numerous artists becoming political activists. Furthermore, the art from this era reveals the transformation accustomed to the political climate. The 1960’s saw the emergence of art history as well as feminist art, which has resulted in the appreciation of the woman not only as a subject but also as a creator and receptor of pictorial art.
Although the term gender refers to both sexes, gender issues as a concept is majorly driven by the emergence of the feminism in the twentieth-century and the women movement. The paper argues that gender is the social and cultural classification of femininity and masculinity and not the biological determination of the sexes. Therefore, gender representations in art should be the outcome of the cultural processes that defines sexual and social identity. Hence, all forms of art as well as literature are a means of expression and the media that reflects the cultural process. The artworks of Egon Schiele, Claude, Cahun, Robert Mapplethorpe and the Guerrilla Girls are a depiction of the various representation of the woman not only as a subject but also as a creator and receptor of pictorial art.
Woman Undervalued as a Subject of Art
As highlighted, the differences in gender mean the social roles that are accustomed to one on the basis of either being a male or female. Therefore, being man or woman represents be biological structure but the sociological statues is represented by the masculinity and femininity. Hence, culture determines the gender differences thus identifies the prevailing values in the socialization process. The social structure is influenced by the gender roles that are given to an individual according to their sex. In simple terms, culture determines who should care for the household and who should be the provider for the family. The gender differences arise from the different roles that men and women play in the society, which can be seen in the framing of the presen...
Updated on
Get the Whole Paper!
Not exactly what you need?
Do you need a custom essay? Order right now:

You Might Also Like Other Topics Related to art essays:

HIRE A WRITER FROM $11.95 / PAGE
ORDER WITH 15% DISCOUNT!