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6 pages/≈1650 words
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Style:
Chicago
Subject:
Visual & Performing Arts
Type:
Research Paper
Language:
English (U.S.)
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Date:
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Metropolitan Museum Research Paper Assignment. Research Paper

Research Paper Instructions:

Term Paper-  Full Instructions:
            The paper is intended to offer you an opportunity to study an original work of art from the period covered by the course.  Your paper should include both firsthand observations from the work of art itself and evidence of library research.  Use the interactive map on the Metropolitan Museum of Art website to locate the works of art on the list below.  It is important that you study an original work of art directly, and not rely solely on book illustrations or online images.  The evaluation of your paper will be based both on the content and substance of the paper as well as your ability to convey information and ideas in writing.  Your ability to follow these term paper instructions is also important.  I expect a well-written and organized paper in which your sources are adequately and properly documented.   Before you hand in your paper, please reread these term paper instructions carefully to make sure that you have followed all of the directions.
            Choose a topic from the list of works of art in the Metropolitan Museum of Art (found at the end).  Each work of art will have a different subject, history, and literature.  When choosing a topic, try to focus on one that interests you visually as well as thematically, historically, and intellectually. To understand the requirements of the assignment and how it will be evaluated, please read carefully the section below entitled “Criteria for the Evaluation of the Term Paper.”  In addition, you may find the book by Suzanne Hudson and Nancy Noonan-Morrissey, The Art of Writing About Art, helpful in formulating your ideas and organizing your paper.  This book is on reserve in the Henry Birnbaum Library.
            Format:  Carefully organize the important information and main ideas of your paper.  In the first paragraph, introduce and fully identify your subject, the main themes of your paper, and methods of analysis (optional).  Then, in a logical sequence of well-structured paragraphs that make up the body of the paper, develop each of the themes you introduced in the first paragraph.  Begin with the most important theme, which may be to explain what is known about the original setting (placement), function, and patronage of the work of art, that is, the specific historical context for which the work of art was made.  After an analysis of the historical facts surrounding the work, include a straight-forward identification of the work’s subject matter (you may include information about the work’s textual or iconographic source, tradition, and the artist's particular interpretation of the subject matter).  Describe the composition of the work of art and its style (for example, how it has characteristics of an artistic period style, a regional style, or an artist’s personal style).  In analyzing its form, you may also consider such issues as scale, materials, techniques, and condition, if appropriate.  To illustrate specific points and support your arguments, you are welcome to discuss other works of art and include illustrations, but do not pad your paper with information that is not directly related to the work of art you have chosen to write about.  The main themes of your paper should always address an issue and make a point that is directly related to the work of art that is the main subject of your paper.  End with a summation of and conclusion to your research in the final paragraph of your paper.  At the end of your paper, you must include a bibliography section, which should be a list of all significant works consulted.  
            The papers should run around five to ten pages.  Papers should be typed or printed and double-spaced.  Please also double-space the footnotes and bibliography sections so that there is room to make corrections.  For footnotes and bibliography, use the same font size as the text in the body of your paper.   For titles of works of art, book titles, and foreign words (for example, in situ), underline the words or put them in italics.  Illustrations in the form of sketches, diagrams, postcards, or photocopies, are welcome.  Illustrations should be numbered and placed at the end of your paper, not situated within the text.   Please number the pages of your paper.  If you use a Bible, please use the Holy Bible, Douay Rheims Version, which is on reserve for this course in the library.  This version of the Bible can also be found online at: http://www.drbo.org.
            Each topic will suggest its own emphasis, but in most cases you will want to devote special attention to the analysis of style and to placing the work into its original cultural and historical context.  How is it expressive of the time in which it was created?  To what tradition, school, or movement does it belong?  Where does it fit in the career of its author (if known)?  To what extent was it influenced by specific works of preceding or contemporary artists?  To answer some of these questions you will need to do some additional reading.   As starting points, use the bibliographies in Gardner’s Art Through the Ages  and in the books listed in the syllabus section entitled "Additional Bibliography."  For more bibliography, look under subjects relevant to your topic in the Grove Dictionary of Art (Grove Art Online), which is now part of the Oxford Art Online.  For many topics, the Metropolitan Museum of Art website has useful lists of references.  Students are encouraged to use the resources listed on the pages entitled “Art History Research Tools” and “Art History Indexes and Databases,” which will be posted on the Blackboard site.
            Online sources in Art History are mainly used for searching for and finding bibliographical references to information in print.  Most Art History sites on the internet are generally not scholarly or reliable and you are discouraged from using them (unless they are online versions of scholarly material found in print).  The website for the Metropolitan Museum of Art (http://www.metmuseum.org) and the online version of the Grove Dictionary of Art are acceptable and very useful online sources for this assignment.  If you use information from the internet for this paper, you must do the following three things:  in a footnote, you must give a correct citation of the internet source as well as an accurate and complete URL address for the information you are citing, you must cite the source in your bibliography, and you must make a print-out of the pages from which you obtained the information and attach the pages to the end of your term paper.   
 
            It is recommended that each student use the Henry Birnbaum Library and the New York Public Library at 42nd Street to obtain historical and art historical information about the works of art listed below.  The Nolen Library and the Thomas J. Watson Library at the Metropolitan Museum of Art are also very good and the librarians are helpful. 
            Sources for all particular facts and interpretations must be cited in footnotes or endnotes.  One of the main purposes of writing a research paper is to learn how to put information and ideas into your own words and to document your sources correctly.  To learn this skill, students completing this term paper assignment are not allowed to quote from secondary sources unless it is absolutely necessary (for example, if it is necessary for the reader to see an author’s exact wording).  For this assignment, you may use quotation marks to quote from primary sources such as a Biblical text or a 16th-century altarpiece contract.  Put all information and ideas into your own words and then use footnotes to let your reader know exactly where to locate the material.  Please take note of the following sentence in the MLA (Modern Language Association) Handbook for Writers of Research Papers, sixth edition, page 70:  “Presenting an author’s exact wording without marking it as a quotation is plagiarism, even if you cite the source.”  For this paper, because I have asked that you do not quote from secondary sources, you must always use your own words (unless you are quoting from a primary source).  Please be very careful and do not plagiarize or paraphrase too closely from your sources.  For this assignment, if you include ten or more words verbatim from a text – even if you cite your source in a footnote - this constitutes plagiarism.  (These 10+ words may come from a single or multiple direct quotations.)  You must always use a footnote as soon as you introduce information or an idea that is not your own.  If you quote from a primary source, you must also use a footnote. Students who commit plagiarism in the first version of the paper will fail the assignment and will not have an opportunity to submit a second version.
            For footnote and bibliography forms, please use the Chicago Manual of Style, 16th edition (the 16th edition has been used for these instructions).  A copy of this book is on reserve and copies are also available in the bookstore.   A handout with examples of Chicago Manual of Style footnote and bibliography forms will be distributed in class and posted on the Blackboard site.  For footnotes, use the system called the “notes and bibliography system.”  Do not use parenthetical references in the text or the body of the paper (also described as the “author-date system”).  The first time you cite a source, use the form for a “first note citation in a work without full bibliography,” which is described in section 14.14 on pp. 660-666.  You can either put the footnotes at the bottom of the page (footnotes) or at the end of the paper (endnotes), which are placed before the bibliography – it’s up to you.  Footnote (or endnote) and bibliography forms are discussed in chapter 1 of the Chicago Manual of Style.  Additional examples of types of sources and how to cite them are included in chapter 14.  For footnotes (or endnotes) use sections 14.14 to 14.55 on pp. 660-684.  Please take special note of how to cite subsequent references, that is, “shortened citations,” which is described in section 14.14 and 14.18 on pp. 660-665.  A complete bibliography or section entitled “Bibliography,” "Selected Bibliography,” or “Works Consulted" (written in proper bibliography form) must be included at the end of the paper.  In your bibliography, put all of your sources in one list and use alphabetical order (by the first author’s last name).  Do not separate your bibliography into different sections for books, articles, and online sources.  To write a proper bibliography, use sections 14.56 to 14.280 on pages 684-769 of the Chicago Manual of Style.  To cite Biblical, Classical Greek, or Latin references, use sections 14.252-14.266 on pages 757-762.
 
            A summary of the Chicago Manual of Style forms with examples of footnotes and bibliography forms can be found here:
http://www.chicagomanualofstyle.org/tools_citationguide.html
 
 Plagiarism:
 
You must acknowledge the use of ANY source, whether a direct quotation or paraphrase in a footnote as well as in the bibliography, following Chicago Style.
 
Students who commit plagiarism will fail the assignment and will not be granted an opportunity to rewrite the paper.  Papers submitted without proper footnotes, bibliography, and documentation of online sources may be considered unacceptable and may be returned to students.  In fairness to students who hand their work in on time, students submitting late papers will be penalized.  For each day (not day that the class meets) the paper is late, your grade will be lowered by one half grade step (A to A-, A- to B+, etc.), until April 23rd, the last date any late papers will be accepted.
 
Students in this course are required to adhere to Pace University's Academic Integrity Code. The Academic Integrity Code supports honesty and ethical conduct in the educational process. It educates students about what constitutes academic misconduct, helps to deter cheating and plagiarism, and provides a procedure for handling cases of academic misconduct. Students are expected to be familiar with the Code, which can be found under "University Policies" in the Student Handbook: http://www.pace.edu/sites/default/files/files/student-handbook/Academic-Integrity-Code.pdf. Individual schools and programs may have additional standards of academic integrity. Students are responsible for familiarizing themselves with the policies of the schools, programs, and courses in which they are enrolled.
 
For avoiding plagiarism, go to:  http://libguides.pace.edu/c.php?g=63932&p=410577
 
WWW.TURNITIN.COM
Papers may not be sent via email.  You must submit a hard copy of your paper AND you must submit your paper electronically to Turnitin.com by the due date. This site checks papers for plagiarism. Turnitin.com monitors time of submission, and 1 minute after the deadline is considered "late."  You must submit your paper to Turnitin.com by 4:35 PM on the day your paper is due, April 16.  To submit your paper electronically: 
 
If you cannot hand in your hard copy in class, you may submit it to my mailbox in the Art Department located at 41 Park Row, 12th Floor.  Do not slide your paper under a locked door.  Before placing your paper in my mailbox, please have someone in the Art Department office sign and date the paper (or, if there is no one on the 12th floor, please ask a security guard to sign and date the paper).  After obtaining a signature and date on your paper, you may wish to make a photocopy of it for your own records.  You will STILL need to submit the paper electronically through Turnitin.com.  If papers are not uploaded to TurnItin.com, a penalty will be applied.
 

Research Paper Sample Content Preview:

Art Analysis
Visual and Performing Arts
Name
Institution
Course
Date
ART ANALYSIS
Details of the Art
Introduction
Quinten Metsys was one of the prominent members of the Flemish school of painting during the 16th century. Quinten Metsys was an artist who borrowed his painting styles firm the old maters like the Leonardo da Vinci. Metsys used the Mannerist styles in the first half of the 16th century. The Adoration of Magi was painted in 1526 towards the end of the career. The richness that is displayed in the clothing of Magi and the gifts that have been displayed in the richness of the community of Antwerp which was a very prominent trade center in the 16th century. The paint is currently found in metropolitan Museum of Art. The observation of Massys concerning the foreign residents in the city contributed to his demonstration as the African king. The theme of the Adoration of Magi was very common among the Antwerp because it allowed the illustration of the ornamental costumes and all the exotic features within the theatrical space. One of the major themes depicted in this painting is the theme of poverty. When Jesus Christ was born the three men came with precious gifts to see him. The extravagant setting whereby the decorative motifs are joined with architectural decal is another feature of this painting. This is a painting that uses the theme of the New Testament. The Image of baby Jesus, Mary, and Magi is a representation of adoration, royalty, and righteousness.
Historical Contest of the Art
In this art, the Massys used a combination of the Flemish tradition with the Italian Renaissance features. The Physiognomies in the people who are in the crowd indicates the influence of the grotesque faces in the art by Hieronymus Bosch. In this art, also the head of the oldest king is based in the painting of Leonardo da Vinci “The Head of an Old Man.” The Adoration of Magi that is the homage of baby Jesus was one of the most popular paintings in Christian Art. The art represented kings from the West who had found the star and followed it to Bethlehem. The art shows how Jesus Christ was recognized from his infancy. The scene in this art is used to represent Nativity. This was one of the most important events in the life of the Virgin Mary and Jesus Christ. The adoration of the Magi shows significant figures from the society of Florentine. The three wise men are compared to the Magi because they needed to present themselves as rich and powerful people yet they were the humble servants of Jesus Christ.[Steinberg, Leo. 1997. “The Sexuality of Christ in Renaissance Art and in Modern Oblivion” Pg. 234.] [Rosenthal, Lisa. (n.d). "Art Lovers, Pictura, and Masculine Virtue in the Konstkamer" P. 194] [Silver, Larry, and Quentin Metsys. 1984. “The paintings of Quinten Massys: with catalog raisonné” Pg. 270]
The Composition of the Painting
The painting Adoration of the Magi portrays the three Magi's approaching baby Jesus and the Virgin Mary. However, in the painting there is a similar scene of the Judeo –Christian Lore. When analyzing this paint, it is very important for an individual to the aspects of the form. The child in her hand is raising his hand while...
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