Listening journal. Ludwig Van Beethoven, symphony No.9 in D mirror op.125.

Ludwig Van Beethoven, symphony No.9 in D mirror op.125.
Other performers
Camilla Nylund, soprano
Ekaterina Gubanova, mezzo-soprano
Mathew Polenzani, tenor
Eric-Owens, bass-baritone
Ricardo Muti, conductor
Classical style.
The choir piece is presented Riccardo as the conductor. Sonata-allegro form has been extensive used with tinery and binary sharing the composition of it. the thematic representation is done contrasting both binary and tinery forms, then returning the theme in in tonic keys. Sound presentation has been excellently done in the piece, with melody being the main professionalism in the piece. The lines have flow in succession both low and high pitch alternating perfectly without overlapping. To add on, the harmony of the song is soothing and meditative. The flow of the meter begins with soft beats, then successfully rising up to the highest beats. the change of beats from weak to strong ones takes about 30 seconds, then there is about 5 seconds for a slow pose before resuming which has given the piece a nice rhythm. the piece has minimal drum beats per minute which gives it a low tempo. In most part of the piece, there are seven drum beats that are dropped steadily then the remain bit of the minute elap...