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Questions on Latin American Cinema

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Spanish 4285 Questions chaps. 6-7 Paul Schroeder
Chap. 6.
1. Explain why Buñuel does not identify The Forgotten with Italian Neorealism.
2. Comment on the end of Los Olvidados and the country's social reform project (Mexico).
3. Discuss Octavio Paz's comment about the movie Los Olvidados (p. 141)
4. Comment on the points in common between The Labyrinth of Solitude by O Paz and The Forgotten.
5. Discuss the issues presented by This Strange Passion (El) by Buñuel. Explain the camera techniques used.
6. What concerns are presented in the Nilssen Tower Trilogy? Explain why these films can be interpreted as a critique of patriarchy.
7. Comment on the Latin American cinema of the 1950s. Was it Eurocentric? Did you anticipate a new aesthetic?
Chap. 7.
1. Make a summary of the pages. 167-172.
2. Find information about Glauber Rocha.
3. Read the Hunger Aesthetics Manifesto and summarize its main points.
4. Explain how violence is seen in Rocha's film.
5. What is Cinema Novo?
6. What are some of the techniques used by the director?
7. How does the theme of religion look like in Black God, White Devil?
8. Explain the divisions of the film The Hour of the Furnaces.
9. Memories of Underdevelopment. Comment on the content of the film.
10. Discuss the contradictions that the protagonist Sergio faces.
11. Comment on the innovation of Lucía's project. Analyzes the representations of female identity and patriarchy in the various sections.
12. The film In a Certain Way (1974) presents contemporary female themes in the life of the director.

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Latin American Cinema
Chapter 6
Question 1: Bunuel does not identify The Forgotten with Italian Neorealism because the movie seeks to invalidate the essentialist building of characters in Italian films where agreeable characters are portrayed as essentially good people by presenting characters, even those who are good, as capable of malevolence. Bunuel believed that neorealism was aesthetically deficient and failed to fully capture the intricacies of reality.
Question 2: The end of Los Olviados underscores the bounds of reformism by illustrating how the country’s social reform project continues to neglect certain social classes and entrenches them in poverty.
Question 3: Octavio Paz’s comments about the movie Los Olvidados highlight the importance of expressing the mysterious and fantastic essence of life as the language of cinema (Rodriguez). Question 4: Both The Labyrinth of Solitude by O. Paz and The Forgotten share a comprehension of Mexican identity as the consequence of the dealings between the social reality of a contemporary state and a foundational fiction.
Question 5: The issues presented by This Strange Passion (El) by Bunuel include homosexuality, male identity, and oedipal complex. Most of the camera techniques used are closely shot to emphasize Francisco’s paranoia and insanity.
Question 6: The concerns presented in the Nilssen Tower Trilogy are the enclosure of women, the working class, and Argentina’s indigenous communities. These films can be interpreted as a critique of patriarchy because they highlight the dominant gender’s systematic rape of women and subjugation of native populations. Each woman in the film is attracted and repulsed by a monster of the patriarchy resulting in open-ended and unclear endings (Rodriguez).
Question 7: The Latin American cinema of the 1950s was not Eurocentric but more aligned with the stories of Latin American modernity. For instance, all the films covered so far were specific to the social changes occurring during the...
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