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A Worn Path by Eudora Welty. LSC-Kingwood

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There was something tall, black, and skinny there, moving before her.
At first she took it for a man. It could have been a man dancing in the field. But she stood still and listened, and it did not make a sound. It was as silent as a ghost.
"Ghost," she said sharply, "who be you the ghost of? For I have heard of nary death close by."
But there was no answer—only the ragged dancing in the wind.
She shut her eyes, reached out her hand, and touched a sleeve. She found a coat and inside that an emptiness, cold as ice.
"You scarecrow," she said. Her face lighted. "I ought to be shut up for good," she said with laughter. "My senses is gone. I too old. I the oldest people I ever know. Dance, old scarecrow," she said, "while I dancing with you."
She kicked her foot over the furrow, and with mouth drawn down, shook her head once or twice in a little strutting way. Some husks blew down and whirled in streamers about her skirts.
Then she went on, parting her way from side to side with the cane, through the whispering field. At last she came to the end, to a wagon track where the silver grass blew between the red ruts. The quail were walking around like pullets, seeming all dainty and unseen.
"Walk pretty," she said. "This the easy place. This the easy going."
She followed the track, swaying through the quiet bare fields, through the little strings of trees silver in their dead leaves, past cabins silver from weather, with the doors and windows boarded shut, all like old women under a spell sitting there. "I walking in their sleep," she said, nodding her head vigorously.
In a ravine she went where a spring was silently flowing through a hollow log. Old Phoenix bent and drank. "Sweet-gum1 makes the water sweet," she said, and drank more. "Nobody know who made this well, for it was here when I was born."
The track crossed a swampy part where the moss hung as white as lace from every limb. "Sleep on, alligators, and blow your bubbles." Then the track went into the road.
Deep, deep the road went down between the high green-colored banks. Overhead the live-oaks met, and it was as dark as a cave.
A black dog with a lolling tongue came up out of the weeds by the ditch. She was meditating, and not ready, and when he came at her she only hit him a little with her cane. Over she went in the ditch, like a little puff of milkweed.
Down there, her senses drifted away. A dream visited her, and she reached her hand up, but nothing reached down and gave her a pull. So she lay there and presently went to talking. "Old woman," she said to herself, "that black dog come up out of the weeds to stall you off, and now there he sitting on his fine tail, smiling at you."
A white man finally came along and found her—a hunter, a young man, with his dog on a chain.
"Well, Granny!" he laughed. "What are you doing there?"
"Lying on my back like a June-bug waiting to be turned over, mister," she said, reaching up her hand.

 

a steeple and the cabins on their steep steps. Dozens of little black children
whirled around her. There ahead was Natchez shining. Bells were ringing. She walked on.
In the paved city it was Christmas time. There were red and green electric lights strung and crisscrossed everywhere, and all turned on in the daytime. Old Phoenix would have been lost if she had not distrusted her eyesight and depended on her feet to know where to take her.
She paused quietly on the sidewalk where people were passing by. A lady came along in the crowd, carrying an armful of red-, green- and silver-wrapped presents; she gave off perfume like the red roses in hot summer, and Phoenix stopped her.
"Please, missy, will you lace up my shoe?" She held up her foot.
"What do you want, Grandma?"
"See my shoe," said Phoenix. "Do all right for out in the country, but wouldn't look right to go in a big building."
"Stand still then, Grandma," said the lady. She put her packages down on the sidewalk beside her and laced and tied both shoes tightly.
"Can't lace 'em with a cane," said Phoenix. "Thank you, missy. I doesn't mind asking a nice lady to tie up my shoe, when I gets out on the street."

 

Address the following: Some critics say that this short story is an odyssey, in which the main character has to undergo trials and tribulations before reaching her goal. What are the trials? There is controversy over the old woman's grandson. How does the old woman feel about him? What happened to him? What is his condition now? Answer in 3 full paragraphs.

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A Worn Path
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There exist many features in Eudora Welty's Worn Path, which make the story to be depicted as an epic. An epic is a lengthy story that consists of an elevated style with the main character having to undergo many challenges before reaching a specific goal. In the story of  HYPERLINK "/search.asp?text=phoenix+jackson" Phoenix Jackson, these features are evident in the character of Phoenix who has undergone various trials in her mission pursuance. In her home return, she encounters many tribulations and trails, which hampers her journey back home. During this journey, she comes face to face with many temptations and dangers, which also affects her spiritual perspective. Some of these dangers, which she comes face to face with, include encounters with wild animals such as jack rabbits, beetles, owls, foxes, cocoons and other wi...
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