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Pages:
2 pages/≈550 words
Sources:
3 Sources
Style:
APA
Subject:
Visual & Performing Arts
Type:
Other (Not Listed)
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 7.2
Topic:

Formal and Sociocultural Analyses of Didarganj Yakshi

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The Overview
Getting good at art history takes practice. Honing your skills of looking at art and material culture requires training. Expressing what you see in a clear way is a form of exercise that can improve with each iteration. Connecting your specific descriptions to broader contexts and narratives relies on creativity and patience. Throughout the semester, we’ve been practicing.
There are many approaches to art historical analysis. For the purposes of our course, we’re going to focus on developing skills in four areas throughout the semester:
Formal Analysis is our foundation and, in many ways, the most difficult type of analysis to master. Through this type of analysis, you parse out details concerning color, shape, texture, scale, line, shadow, space, composition, and other physical properties of the object itself;
Sociohistorical Analysis, through which you situate the object in the social, political, economic, and cultural context in which it was produced and/or intended to be used;
Iconographic Analysis, through which you tease out the theme(s) or subject(s) presented by the object including any symbolic or figurative meaning(s);
Personal Analysis, although admittedly a term I made up, is crucial to our work this semester. Through this type of analysis, you reflect on the relationship between an object and your own lived experience.
The Guidelines
Each analysis should consist of the following elements:
Title: Creativity (and especially puns) appreciated here, but moreover make sure your title clearly conveys what you’ll be addressing in your analysis.
Object: Be sure to include good quality images of the object that you’ll be analyzing. Each image should be assigned a figure number, and these figure numbers should be captioned and referenced throughout your analysis. Your figures can all be stacked at the end of your analysis or interspersed throughout your text.
Thesis: Your thesis, included in the introduction to your work, should provide a framework for your analysis and suggest your interpretation of the work. A thesis statement does not necessarily involve a statement of argument or original insight, but it should let the reader know how the artist’s choices affect the viewer.
Formal Analysis: Since this is our foundation, your assessment must include a formal analysis of the object you’ve chosen. Although description is an important part of a formal analysis, description is not enough on its own. You must introduce and contextualize your descriptions of the formal elements of the work so the reader understands how each element influences the work’s overall effect on the viewer. Remember that the most effective formal analyses will support your thesis. Also note that you do not have to analyze every possible aspect of the work; pick the most important aspects of the artwork to discuss
Note: This part of your assignment must include an image, and annotating that image would be helpful.
______ Analysis: Next, evaluate the object you’ve chosen through the other lens that you’ve decided to employ (sociohistorical, iconographical, or connection). Be sure to discuss the ways in which your two types of analyses complement and/or conflict with one another. Remember that the most effective analyses of any kind will support your thesis.
Conclusion: An effective assessment will end with a conclusion that reviews your work, briefly summarizing one last time how each aspect of your analysis supports your thesis.
Works Cited: While your formal analysis won’t require any outside sources, the other approach by which you choose to analyze your object will. Be sure to cite any sources you refer to. If you have any questions about what should or should not be cited, please ask.
The Fine Print
The purpose of this analysis is not just to describe the object you’re examining, but rather to offer a thoughtful and meticulous study of the object. While there is no single way to compose your analysis, the organization is critically important, so carefully plan before you begin to write.
Remember that spelling and grammar do count. double-spaced, and in 12-point font (Times New Roman or similar). Because your analysis will require a bit of outside research, be sure to cite any sources you refer to, and whatever citation style you use, be consistent.


please title your file in the following format: “LastName_Paper2.”
(on the lower side if you decide to produce an annotated object image),

Didarganj Yakshi holds a fly-whisk

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Analysis of Didarganj Yakshi
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Analysis of Didarganj Yakshi
A sculpture is a statue depicting a person or animal. The word statue comes from the Latin words statua, which means image, and status, which means position. Therefore, a sculpture is a statue erected to honor an important individual, event, or action that happened in the past (Bonţeanu, 2010). Statues are limited by historical phenomena and preserved for several generations to commemorate important events. Analyzing various sculptures allow modern artists and historians to attach meaning to them by evaluating the material used to make them, facial expression, demeanor, clothing, and standing posture, among other things. The current paper conducts formal and sociocultural analyses of a sculpture called Didarganj Yakshi.
Figure One: Source (Encyclopedia of Art, 2022)
Didarganj Yakshi is a life-size Chunar stone sculpture of a female guardian or deity unearthed at Didarganj near present-day Patna (Patna Museum, 2012). Like other Yakshi statues widely known for their complexity, sophisticated finish, overall symmetry, and naturalistic and standardized style, Didarganj Yakshi bears all these features. It was sculptured from Chunar stone, expensive sandstone during the Mauryan Art era, and was a treasured possession in ancient India, meaning that the statue was highly valued. The figure holds a fly whisk in its right hand while its left arm and nose are damaged. The statue sits on a 40 cm high stand, giving an overall height of 203 cm (Patna Museum, 2012). The statue portrays the near-perfect standard of female beauty in ancient India. Her figure is a plump bust, slim waist, and wide hips, depicting the overall beauty of an ideal woman. A more unusual but stipulated canon of beauty is incorporated as griva trivali, the three folds the sculptors included on the neck of the statue, and katyavali, the flesh folds included on her waist. Perhaps the most impressive thing about this statue after one absorb...
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