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3 pages/≈825 words
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APA
Subject:
History
Type:
Movie Review
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English (U.S.)
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“The Searchers” Film Response Paper

Movie Review Instructions:

Film Response Papers 15%. This is not a movie review! You are expected to submit a total of 4 response papers of 2-3 pages in length regarding the films shown in class. These response papers are largely informal and are intended to prompt you to ‘think on paper’ about the visual representation of Native people. These papers are not to be simple plot summaries of the films or a straight repetition of the lectures. Instead, you may use discussion questions or statements provided during class and/or discuss how points from the assigned readings connect with the films that we are viewing. Response papers must also show evidence that you have engaged the relevant class readings for each film. You must properly cite and reference at least one relevant reading in your paper. Response Papers are due on the dates specified on the syllabus and are cumulatively worth 15% of your total grade.
Week 1: January 29 Introduction: Decolonizing Hollywood’s Indians
Syllabus review Viewing in class The Battle of Elderbush Gulch (1913)
Week 2: February 5 Hollywood’s Indian
Previewed on YouTube Stagecoach (1939) Viewing: Reel Injun (2005) Have Read: Kilpatrick Text: Introduction, chapter 1 
Week 3: February 12 Hollywood’s Indian II
Viewing: The Searchers (1959) Have Read: Kilpatrick chapter 2

Movie Review Sample Content Preview:
“The Searchers” Film Response Paper Student’s Name Institutional Affiliation Course Name/Number Instructor’s Name Due Date Visual Representation of Native People in “The Searchers” The visual representation of Native Americans and Whites differ significantly in John Ford’s film, “The Searchers.” The Native Americans are portrayed as savages; this is achieved mainly through the mise en scène. As depicted in the film, the Native Americans adorn themselves with primitive clothing, are half clothed, they place feathers on their heads, they wear traditional handmade jewelry, paint tribal marks on their bodies, live in tepees, and are stoic and silent most of the time. To viewers, they are not depicted as people with unique personalities and features. Instead, their depiction is that of standard stereotypical attributes and images associated with Native American culture. In the film, the Whites are portrayed as victims. There is a tragic scene in the film that shows the aftermath of a tribe that has been completely butchered. In this scene, the Whites are depicted as civilized individuals who have to deal with the savages. They are fully dressed in elegant attire. No paint or feathers can be spotted on them. As depicted in the film, they are not a mass of people, but individuals with a life and a story. The same is not done with the Native Americans; the film portrays them as savages, while the Whites are portrayed as heroes and actual people. The negative depiction of Native Americans is first seen in the film when Clayton pays a visit to Ethan’s family and makes it known that he suspects that Native Americans are responsible for the cattle killings. After forming a search party in aims of finding the missing cattle, they find the missing cattle, which are all slaughtered. They conclude that the cattle were not killed for food by the Comanche, but as a strategy to lure them out in the open so that they could raid their farms. Here, Native Americans are depicted as individuals who breathe murderous threats and are ready to take what is not rightfully theirs. In another scene in the film, during their search, the searchers find and open a Comanche grave. One of the searchers suddenly stands up and aims a rock at the deceased Native American. What is most shocking in this scene is when Ethan draws his gun and says “Why don’t you finish the job?” (The Searchers), and proceeds to fire two shots at the already buried Comanche’s face. This is a very racist, controversial, and negative scene that shows that the Comanche’s lives are worthless. This film shows that the life of a Native American is meaningless, even in death, a...
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