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Essay Available:
Pages:
3 pages/≈825 words
Sources:
No Sources
Level:
APA
Subject:
Visual & Performing Arts
Type:
Movie Review
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 10.8
Topic:

Robert Wiene, The Cabinet of Dr. Caligari (1920) (Movie Review Sample)

Instructions:
Robert Wiene, The Cabinet of Dr. Caligari (1920) Fritz Lang, Metropolis (1927). Requirenments: -Explain how the Expressionist tendency in early twentieth-century German filmmaking served to reflect/express the social and political climate of the Weimar era. Comment on and compare visual and thematic aspects of each film above. -Introduction, body paragraphs and clear conclusion. Thanks! source..
Content:
Introduction
Expressionism is the artistic style in which the artist tries to depict objective reality in a manner that satisfies his emotions to represent objects around him. This is accomplished through distortion, exaggeration, primitivism and fantasy and through the clear illustration of violent or dynamic application of formal elements. It was one of the most common forms of art in 19th and 20th centuries. The main objective of expressionism is not to produce the impression produced by the surrounding world, but to show the artist’s view to the world’s representation. The image of this object thus represents a substitute to the visual aspects of the object.
This form of art was popular mostly in Germany in the 1910. Due to its wide use, it has also been assumed to inherit from some ancient forms of art, specifically, Cezanne, Gauguin, and Van Gogh.
The major German expressionists were Max Beckmann, Otto Dix, Lionel Feininger, George Grosz and August Macke. This article tries to explain some of the expressionist ideas of the Weimar
Discussion
Degenerate art of Ernst Barlach
He generated a number of anti-war sculptures based on his experiences of the war. He was criticized for negatively depicting the Nazis during their rise. At this time, the Magdeburg cenotaph was required by the city of Magdeburg to serve as a memorial of World War I. It was expected to depict German soldiers fighting for their glorious country. In his depiction of this scene, Barlach created a sculpture containing three German soldiers: these were a new soldier, a middle aged officer and an old soldier. These people were represented standing in a cemetery showing signs of horror, pain and desperation in the war. On their side was a mourning woman with her face covered in despair. There was also a skeleton with a German helmet on its head and a civilian, who was Barlach himself with his eyes closed and ears blocked. As a result, controversy erupted among the war veterans who claimed that he did not give the correct impression of the true Germans who they claimed to be more heroic. Consequently, the s...
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