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Pages:
3 pages/≈825 words
Sources:
3 Sources
Style:
MLA
Subject:
Literature & Language
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
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Topic:

The Secert Of Gene. Construction Of Memory. Health & Medicine Essay

Essay Instructions:

Paper 1

 

Due dates

 

Rough draft (3 full pages, minimum): Thursday, September 26, 2018

 

Final draft (4 full pages, minimum): Thursday, October 3, 2018

 

**When turning in your rough draft, you must bring three hard copies for peer review and submit a copy of your paper to Canvas’s “Assignments” section.

 

** When turning in the final draft submit a copy to Assignments by 8 PM on the due date.  All papers not turned in by this time will be considered late.

 

 

Readings:

 

  • Susan Blackmore, “Strange Creatures”
  • Michael Specter, “Rewriting the Code of Life”

 

In her essay, “Strange Creatures,” Susan Blackmore likens memes to genes insofar as that they are “selfish” and that the “success” of each “replicator” is based upon its ability to be “passed on to the next generation” (4). However, while she denies that these replicators are “selfish” in the sense that genes and memes would have hopes, aspirations, or intentions “in the same way as people do” (4), the language Blackmore chooses often seems to imply that memes have agency and power over their human “vehicles” (5), such as when she states that “[i]nstead of thinking of our ideas as our own creations, and as working for us, we have to think of them as autonomous selfish memes, working only to get themselves copied.  We humans, because of our powers of imitation, have become just the physical ‘hosts’ needed for the memes to get around” (7). That said, “imitation” isn’t as clear-cut as Blackmore makes it out to be: she also counts our ability to get the “gist of the story” when talking to a friend a form of imitation (6). Accordingly, Blackmore’s claims that a meme can “take on a life of its own” (4) become even more complicated when we read Specter’s essay on Kevin Esvelt and genetic engineering.

 

We are prompted to consider even more questions: does Blackmore’s account of imitation become more nuanced when we think about Specter’s description of gene drive and human “hubris” (10)? Are all memes and innovations good? Moreover, to what extent do we become Blackmore’s “replicators” and nature the “vehicle” if, as Specter says, “the whole is different from the sum of the parts” (16) and Blackmore contends that there is no “little conscious ‘me’ inside our brains” (2)?

Remembering to analyze and close-read specific examples from Blackmore’s and Specter’s essays, construct an independent argument to address the following question: If, to Blackmore, humans are comprised of memes and are “hosts,” to what extent can or should “hosts” alter the course of nature?

 


 



 

 

Here are some additional questions to get you thinking. Remember: do not answer these questions in a list—or any of them at all. They are prompts for thinking.

 

  • What is the process by which these memes “compete” and “successfully” pass from person to person?
  • If humans and their genetic material also have a “replicator power” in that we learn and form social bonds through imitation, is Blackmore’s division between “replicators” and “vehicles” as neat and tidy as she makes it out to be?
  • What role does the “vehicle” play in structuring and changing what gets “replicated”?
  • Does Specter’s account of “gene drive” and CRISPR imply that vehicles or “hosts” can turn their powers on what Dawkins called “parasites” (Blackmore 5)? Think very carefully about Blackmore’s and Specter’s choice of words when explaining such relationships.

***


Do not use other highly publicized media and/or political events as hypothetical examples in your papers. Do not use anecdotal or personal evidence. Do not refer to historical facts that are not present in the assigned texts. Do not perform outside research. For that matter, do not use any hypothetical examples in your paper.  Only use examples from the texts to support your own argument. If you write anything akin to “in my view” or “in my opinion,” you are on the wrong track. If you write that something is “universally” known to be true, you are generalizing (and probably incorrect).

 

Do not attempt to answer all of the questions or issues cited above in your paper; these are simply prompts to help you to start thinking. Instead, find an angle and focus on it. It is better to write more about a smaller topic so that you can think more deeply and have a stronger, precise thesis.

 

Do not use other students’ work or solicit writing help from other students other than those in the Writing Center. Using other people’s work is plagiarism and will result in both a failing grade and immediate notification of the Writing Program and Dean’s Office.

 

To pass this paper, you must have an independent argument supported by analysis: close readings of the assigned texts. Papers that summarize, misread, and/or do not engage with quotations from Specter’s and Blackmore’s essays will not pass.

 

 


 

BE ADVISED

 

You will be marked down a full grade each day your final draft is late. You will be marked down a half-grade every day your rough draft is late.  

 

You will be marked a half grade off for not participating in all aspects of the paper-writing process, including completing peer revision.

 

You cannot pass Basic Composition without completing both rough and final drafts for all five papers.

 

Remember to follow MLA formatting guidelines as specified in your syllabus for both your rough and final drafts.  This means that you must quote and cite the essay(s) correctly, and type both your rough and final drafts in 12-point, Times New Roman font with one-inch margins.  For MLA guidelines: http://owl(dot)english(dot)purdue(dot)edu/owl/resource/747/01/.

 

Also be sure to write a title (i.e. not “Paper 3”), word count, page numbers, and STAPLE both your rough and final drafts. I do not carry a stapler with me.

 

 

 

Essay Sample Content Preview:
CONSTRUCTION OF MEMORY
Name
Course title
Institution
Date
Memories are things or occasions that are put away and are accessible for afterward utilize by the living being. Development of a memory may be a wide viewpoint in human life since it acts like an update. Research about it has been conducted to see how frame and design add up to the creation of memory. Some of the articles that review this issue are “Stones and Bones” by Adam Gopnik and “Christ in the Garden of Endless Breadsticks” by Helen Rosner. The two try to bring out the origin of memory and how memory comes about. Helen explains how memories come by rooting her article on the works of Paul Gauguin and the Olive Garden restaurants while Adam Gopnik , uses the memorial and museum to express his opinions rooting them from the occurrence 9/11, which was viewed as an attack on American freedomCITATION Ada2 \l 1033 (Gopnik, Visiting the 9/11 Memorial Museum). This essay elaborates on the role of design and form in memory construction even if they are not authentic.
Both authors have tried to show how form and design can be used to bring out memories even if they are not in their authentic form through their work. For instance, the design of some of the Olive Garden restaurants brings up the memories of ancient times. The places had been constructed in such a way that they would just remind someone of something or somewhere or an incident. Even though the design is not very original, they try to bring out the old surrounding. In those Olive Gardens, one can still get olives. There is a cavernous wall that split the dinning into sections, sit potted rows of faux olive trees, clusters of dark plastic balls and also growing dusty green leaves. Even though they are not eatable, they construct memories of the old world with ease and simplicity. The foods made were also so hard to forget and would tend to remember another restaurant of the same brand by just testing their food.
In his article, Gopnik isn't in support of the 9/11 commemorations and historical centers since for him, they were not effective enough. Gopnik characterizes a memorial as a place set aside for reflection and meditation. For him, the rise of memories and their development started way back within the antiquated days in Egypt and the boulevards of the city of Rome. Memories in old times were created from encounters such as absolutism therefore that was the form of which people used to construct memories. Gopnik says that American society have issues when it comes to memory construction due to their distinctive point of views. For Helen the chains of the Olives Gardens in different locations also remind people of the original one they ate it. The memories are constructed through the form of food made and services offered; they are all the same.
Gopnik thinks the design used to create the 9/11 memorial ground were not that appropriate. The place had been made to acknowledge America's values and strength, yet it lacked symbols for patriotism. For him, design would have played a big role in helping the citizens to remember what had happened in their country if the ri...
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