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9 pages/β2475 words
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MLA
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Literature & Language
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English (U.S.)
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Women: The Suppressed Sex in Chinese Literature. Literature Essay
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1. After you have read the sample paper and viewed my file of analysis, indicate three aspects of its strength, and one aspect of its weakness, using details in the paper to illustrate your points.
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Women: The Suppressed Sex in Chinese Literature
The society tends to portray women as the weaker sex between the feminine and masculine genders across various social, political, economic, cultural, and even religious aspects of life. The heightened calls for equality witnessed around the globe in seeking recognition of women’s input in the society’s development as marching that of their male counterparts across the wide range of fields is evident of their resourcefulness previously restricted by conservative traditions. The society has no option but to embrace the reconnaissance of women in the current and future generation; women are taking up leadership roles in matters politics, academia, economics, and even religion. However, the transition has been on a continuous but constant wheel of change as the depiction of women in Chinese literature should reveal as the article unfolds. Literature, Chinese literature for that matter, is also guilty of denying women a common ground in its depiction or rather characterization of the feminine gender roles in most literary works. Hence, women as the suppressed sex in Chinese literature seeks to unveil the underlying traditions evident in various Chinese works of literature showcasing the subjectivity of women characters. The approach taken in carrying out the outlined task is an extensive analysis of various literature works by renowned women authors of Chinese origin who protest the traditional depiction of women as the suppressed sex through their depictions of the female characters as strong-willed individuals.
The authors portray their women characters as heroines who manage to withstand the whims of a patriarch society and its demeaning cultural beliefs and values to become independent and content with the self. In most of the works used in developing the article, women are no longer bound by restrictive traditions as previously portrayed in most Chinese literature, but embrace their individuality in making decisions appealing to the ‘self’ irrespective of the societal traditions and expectation. Traditionally, Chinese literature subject women to romanticism, marital roles, and obligations, family or filial associations and expectations, as well as societal perceptions or positions in the society. In most classical Chinese literature, for instance, the authors portrayed women characters as sex objects for their male counterparts meant to please the latter in their fairness, beauty, and submissiveness. Divorce or celibate women would often be scorned, and as most literature revealed, women revered being divorcees so much that most would choose to end their lives than being scorned by the society. The early 20th century authors such as Bing Xin, Ling Shuhua, and Bai Hui, express their dismay at the demeaning portrayal of women in Chinese literature by highlighting the desire of women to live differently from the preconditioned lives advocated by most Chinese works.
Women as the suppressed sex in Chinese literature, as outlined, would often take the form of objectification of their bodies as sex symbols or sources of pleasure to their male counterparts. Jing Ling, one of the most renowned Chinese authors, show...
Professor’s name:
Course:
Date:
Women: The Suppressed Sex in Chinese Literature
The society tends to portray women as the weaker sex between the feminine and masculine genders across various social, political, economic, cultural, and even religious aspects of life. The heightened calls for equality witnessed around the globe in seeking recognition of women’s input in the society’s development as marching that of their male counterparts across the wide range of fields is evident of their resourcefulness previously restricted by conservative traditions. The society has no option but to embrace the reconnaissance of women in the current and future generation; women are taking up leadership roles in matters politics, academia, economics, and even religion. However, the transition has been on a continuous but constant wheel of change as the depiction of women in Chinese literature should reveal as the article unfolds. Literature, Chinese literature for that matter, is also guilty of denying women a common ground in its depiction or rather characterization of the feminine gender roles in most literary works. Hence, women as the suppressed sex in Chinese literature seeks to unveil the underlying traditions evident in various Chinese works of literature showcasing the subjectivity of women characters. The approach taken in carrying out the outlined task is an extensive analysis of various literature works by renowned women authors of Chinese origin who protest the traditional depiction of women as the suppressed sex through their depictions of the female characters as strong-willed individuals.
The authors portray their women characters as heroines who manage to withstand the whims of a patriarch society and its demeaning cultural beliefs and values to become independent and content with the self. In most of the works used in developing the article, women are no longer bound by restrictive traditions as previously portrayed in most Chinese literature, but embrace their individuality in making decisions appealing to the ‘self’ irrespective of the societal traditions and expectation. Traditionally, Chinese literature subject women to romanticism, marital roles, and obligations, family or filial associations and expectations, as well as societal perceptions or positions in the society. In most classical Chinese literature, for instance, the authors portrayed women characters as sex objects for their male counterparts meant to please the latter in their fairness, beauty, and submissiveness. Divorce or celibate women would often be scorned, and as most literature revealed, women revered being divorcees so much that most would choose to end their lives than being scorned by the society. The early 20th century authors such as Bing Xin, Ling Shuhua, and Bai Hui, express their dismay at the demeaning portrayal of women in Chinese literature by highlighting the desire of women to live differently from the preconditioned lives advocated by most Chinese works.
Women as the suppressed sex in Chinese literature, as outlined, would often take the form of objectification of their bodies as sex symbols or sources of pleasure to their male counterparts. Jing Ling, one of the most renowned Chinese authors, show...
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